01068nam a2200301 i 450099100123348970753620020507113218.0970308s1976 ne ||| | eng b10192128-39ule_instLE00644359ExLDip.to Fisicaita52.9.3624'.176TA654.6Lomnitz, Cinna462171Seismic risk and engineering decisions /edited by C. Lomnitz and E. RosenbluethAmsterdam :Elsevier,1976ix, 425 p. :ill. ;25 cm.Developments in geotechnical engineeringIncludes bibliographies and index.Earthquake engineeringRosenblueth, E..b1019212817-02-1727-06-02991001233489707536LE006 52.9.3 LOM12006000025102le006-E0.00-l- 00000.i1023712427-06-02Seismic risk and engineering decisions191530UNISALENTOle00601-01-97ma -engne 0103352oam 22005294a 450 991015019630332120170922081352.01-4529-5258-2(CKB)3710000000942279(MiAaPQ)EBC4525977(OCoLC)937062440(MdBmJHUP)muse54175(BIP)78938411(BIP)54716541(EXLCZ)99371000000094227920160129d2016 uy 0engurcnu||||||||rdacontentrdamediardacarrierMirror Affect Seeing Self, Observing Others in Contemporary Art /Cristina AlbuMinneapolis, Minnesota :University of Minnesota Press,2016.©20161 online resource (312 pages)Includes index.1-5179-0006-9 Includes bibliographical references and index.Introduction: seeing ourselves seeing -- Mirror frames: spectators in the spotlight -- Mirror screens: wary observers under the radar -- Mirror intervals: prolonged encounters with others -- Mirror portals: unpredictable connectivity in responsive environments -- Conclusion: networked spectatorship. For decades, contemporary artworks with reflective properties have stimulated public forms of spectatorship. According to Cristina Albu, these artworks, which can include elements such as mirrors, live video feedback, or sensors, draw attention to affective interdependence and mechanisms of social control.  In Mirror Affect , Albu provides a historical account of mirroring processes in contemporary art and offers insight into the phenomenological and sociopolitical concerns that have inspired artists to stage processes of affective, perceptual, and behavioral mirroring between art viewers. Beginning with the 1960s, Albu charts the rise of interpersonal modes of art spectatorship. She reveals contemporary artists' strategic use of reflective and responsive interfaces to instill doubt in visual representation and appeal to active scrutiny of the changing social dynamics. She suggests that the mirroring processes envisioned by contemporary artists such as Joan Jonas, Dan Graham, Lynn Hershman Leeson, Olafur Eliasson, and Rafael Lozano-Hemmer trigger visual disjunctions to upset narcissistic inclinations. They invite viewers to see themselves in relation to others and to ponder their role within complex social systems. From sculpture and performance to art and technology projects, video art, and installation art, Mirror Affect analyzes forms of interpersonal spectatorship, revising and expanding current historiographies of participatory art. Art, Modern21st centuryThemes, motivesArt, Modern20th centuryThemes, motivesReflection (Optics) in artVisual perception in artElectronic books. Art, ModernThemes, motives.Art, ModernThemes, motives.Reflection (Optics) in art.Visual perception in art.701/.18Albu Cristina1248387MdBmJHUPMdBmJHUPBOOK9910150196303321Mirror Affect2893428UNINA