01078nam 2200385 450 991014963610332120221221140030.03-318-05206-X(CKB)3780000000102867(NjHacI)993780000000102867(EXLCZ)99378000000010286720221221d1948 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierTooth size and occlusion in twins /Anders LundströmBasle ;New York :A.B. Fahlcrantz,1948.1 online resource (203 pages) illustrations3-318-02911-4 Occlusion (Dentistry)TeethTwinsOcclusion (Dentistry)Teeth.Twins.617.6Lundström Anders1916-1271789NjHacINjHaclBOOK9910149636103321Tooth size and occlusion in twins2995947UNINA03960nam 22006851 450 991015156140332120200514202323.097815013965199781623562922978162356626510.5040/9781501396519(CKB)3710000000951992(MiAaPQ)EBC4744167(OCoLC)961388497(UtOrBLW)bpp09260502(UtOrBLW)BP9781501396519BC(EXLCZ)99371000000095199220170227d2017 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThe body and the screen female subjectivity in contemporary women's cinema /Kate InceNew York ;London :Bloomsbury Academic,2017.1 online resource (209 pages) illustrationsThinking cinemaIncludes bibliographical references, filmography and index.Includes filmography.Female subjectivity in philosophy and theory -- Feminist film studies and women's cinema after psychoanalysis -- Body -- Look -- Speech -- Performance -- Desire -- Freedom -- Conclusion."Since the 1980s the number of women regularly directing films has increased significantly in most Western countries; in France, Claire Denis and Catherine Breillat have joined Agnès Varda in gaining international renown, while British directors Lynne Ramsay and Andrea Arnold have forged award-winning careers in feature film. This new volume in the "Thinking Cinema" series draws on feminist philosophers and theorists from Simone de Beauvoir on to offer readings of a range of the most important and memorable of these films from the 1990s and 2000s, focusing as it does so on how the films convey women's lives and identities. Mainstream entertainment cinema traditionally distorts the representation of women, objectifying their bodies, minimizing their agency, and avoiding the most important questions about how cinema can "do justice" to female subjectivity. Kate Ince suggests that the films of independent women directors are progressively redressing the balance, reinvigorating both the narratives and the formal ambitions of European cinema. Ince uses feminist philosophers to interpret such films as Sex Is Comedy, Morvern Callar, White Material, and Fish Tank anew, suggesting that a philosophical understanding of female subjectivity as embodied and ethical should underpin future feminist film study."--Bloomsbury Publishing.Thinking cinema.Feminism and motion picturesFranceFeminism and motion picturesGreat BritainFeminist filmsFranceHistory and criticismFeminist filmsGreat BritainHistory and criticismMotion picturesFranceHistory and criticismMotion picturesGreat BritainHistory and criticismWomen in motion picturesWomen motion picture producers and directorsFranceWomen motion picture producers and directorsGreat BritainIndividual film directors, film-makersFeminism and motion picturesFeminism and motion picturesFeminist filmsHistory and criticism.Feminist filmsHistory and criticism.Motion picturesHistory and criticism.Motion picturesHistory and criticism.Women in motion pictures.Women motion picture producers and directorsWomen motion picture producers and directors791.43/6522Ince Kate1075622UtOrBLWUtOrBLWUkLoBPBOOK9910151561403321The body and the screen2962844UNINA