01525ojm 2200277z- 450 991014895020332120230912161814.00-00-722914-3(CKB)3710000000923249(BIP)013141301(EXLCZ)99371000000092324920231107c2006uuuu -u- -engGhost RoadHarperCollins UKThe third title in the Regeneration trilogy, read by Paul McGann.1918, and Billy Prior is in France once again, a real test case for the 'shell-shock' therapies practised at Craiglockhart War Hospital where, with Wilfred Owen, he was a patient. Prior experiences a late-summer idyll, some days of perfect beauty, before the final battles in a war that has destroyed most of his generation. In London, Prior's psychologist, William Rivers, tends to his new patients, more young men whose lives and minds have been shattered. And remembers the primitive society on Eddystone Island where he studied as an anthropologist before the war. Gathering together both experiences, he sees the gulf between them narrow... Challenging and harrowing, brilliantly incisive yet always compassionate, Pat Barker's Booker Prize winning novel is magnificent listening.Great britainFictionLiterature and fiction823.914Barker Pat164315McGann PaulothAUDIO9910148950203321Ghost road483377UNINA05365nam 22006495 450 991061927710332120251009103002.0978303102215930310221579783031022579(electronic bk.)3031022572(electronic bk.)10.1007/978-3-031-02257-9(MiAaPQ)EBC7119920(Au-PeEL)EBL7119920(CKB)25179646500041(OCoLC)1348483428(DE-He213)978-3-031-02257-9(EXLCZ)992517964650004120221019d2022 u| 0engurcz#---auuuutxtrdacontentcrdamediacrrdacarrierAlice in Wonderland in Film and Popular Culture /edited by Antonio Sanna1st ed. 2022.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2022.1 online resource (xix, 327 pages) illustrations (some color)Print version: Sanna, Antonio Alice in Wonderland in Film and Popular Culture Cham : Springer International Publishing AG,c2022 9783031022159 Includes bibliographical references and index.1 ‘Introduction: Alice and the Critics,’ Antonio Sanna -- Part I: Alice on the Page -- 2 'A History of the Literary and Graphic Adaptations and Appropriations of Alice,’ Antonio Sanna -- 3 “How Does It Taste: Eating and Drinking with Alice at the International Table,” Olga Bukhina -- 4 ‘Charles Lutwidge Dodgson in Wonderland: Lewis Carroll’s Mythobiography and Contemporary Fiction,’ Maciej Skowera -- 5 “Reflecting on Wonderland: Alice’s Adventures as Metatext in the Graphic Novel,” Brigid Cherry -- 6 ‘Mad World: Disillusionment and Perceived ‘Madness’ in Batwoman Elegy,’ Eileen M. Harney -- 7 ‘We’re All Mad Here: Alice Goes to Gotham,’ Rick Hudson -- Part II: Film Adaptations -- 8 ‘Standing in Contrast: An Examination of Conflict and Contrast in Various Adaptations of Alice’s Adventures in Wonderland,’ Joy E. Morrow and Christopher Flavin -- 9 ‘Alice Gets Mathematical: Carroll, Disney, and Donald in Mathmagic Land,’ Martin F. Norden -- 10 ‘Alice, Interrupted: Reflecting on the Changing Chronology of the Girl in Disney’s Looking-Glass,’ Alexandra Heatwole -- 11 ‘Through a Darker Looking Glass: Alice’s Adventures in Horrorland,’ Lindsey Scott -- 12 ‘Alice’s Evolution: Chicago 70 and the Revolutionary Awakening of Lewis Carroll’s Victorian Heroine,’ Andrew Grossman -- 13 ‘Alice’s Adventures in Wondercity. Who am I? Revelation of the Self and Class Consciousness in Woody Allen’s Alice,’ Carla Fusco -- Part III: Alice’s Adventures in Other Media -- 14 ‘(In)Appropriate Alice: The Neo-Victorian Sexualization of Carroll’s Wonderland,’ Anne-Marie Beller and Claire O’Callaghan -- 15 ‘Alice in the City,’ Joanna Madlock -- 16 ‘Transformations: Aimer’s ‘I Beg You’ and Alice in Japanese Music Video,’ Masafumi Monden -- 17 ‘Navigating the Coded Rabbit Hole: A Sociocultural Reading of the American McGee’s Alice Games,’ Dominique Angela Juntado and Antonio Sanna -- 18 ‘The Immortal Hatter, Eternally Present with Alice,’ Amanda Rutherford and Sarah Baker -- 19 'As Above So Below? Madness and Nonsense in Alice’s Adventures in Wonderland', Emily Scherzinger and Jeffery Donaldson.This book examines the many reincarnations of Carroll’s texts, illuminating how the meaning of the original books has been re-negotiated through adaptations, appropriations, and transmediality. The volume is an edited collection of eighteen essays and is divided into three sections that examine the re-interpretations of Alice in Wonderland and Through the Looking-Glass in literature, film, and other media (including the branches of commerce, music videos, videogames, and madness studies). This collection is an addition to the existing work on Alice in Wonderland and its sequels, adaptations, and appropriations, and helps readers to have a more comprehensive view of the extent to which the Alice story world is vast and always growing. Antonio Sanna (PhD, University of Westminster) teaches English in Sassari, Italy. He is the co-editor of the series Critical Companions to Contemporary Directors and has edited volumes on historical andfictional pirates, the last season of Twin Peaks and Welsh writer Arthur Machen.Motion picturesPopular cultureAdaptation (Literary, artistic, etc.)Literature, Modern19th centuryFilm StudiesPopular CultureAdaptation StudiesNineteenth-Century LiteratureMotion pictures.Popular culture.Adaptation (Literary, artistic, etc.)Literature, ModernFilm Studies.Popular Culture.Adaptation Studies.Nineteenth-Century Literature.842.914809.034Sanna AntonioMiAaPQMiAaPQMiAaPQ9910619277103321Alice in Wonderland in film and popular culture3016623UNINA