02275nam 22004093 450 991014858340332120230808200240.01-68137-025-5(CKB)3710000000921904(MiAaPQ)EBC6047457(Au-PeEL)EBL6047457(OCoLC)962854971(EXLCZ)99371000000092190420210901d2016 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierNotes on the CinematographNew York :New York Review Books,2016.©2016.1 online resource (41 pages)1-68137-024-7 "A key influence on the French New Wave and the director of such iconic works as Pickpocket and A Man Escaped, Robert Bresson is one of the central figures of French cinema. Notes on the Cinematograph is not only his definitive treatise on film--its inherent peculiarity and potential--but an ascetic meditation on how art transcends, and is transformed by, the senses. Bresson upends inherited truths with empirical ones, calling for film to divest itself of the trappings of theater in order to come into its own as an art form. While theater is capable of simulation, film can capture immanent being. Therefore, he argues, the two forms are innately at odds: "No marriage of theater and cinematography without both being exterminated." To this end, Bresson rechristens his actors "models" and conducts them through grueling shoots where they repeat their lines and movements until he deems them vacant of actorly intention and charged, instead, with inscrutability: "A model. Enclosed in his mysterious appearance. He has brought home to him all of him that was outside. He is there, behind that forehead, those cheeks.""--Provided by publisher.791.43023PER004010PER004020PER004000bisacshBresson Robert162950Griffin Jonathan1246387Le Clézio J. M. G408168MiAaPQMiAaPQMiAaPQBOOK9910148583403321Notes on the Cinematograph2889962UNINA