03111nam 2200805 a 450 991014642290332120200520144314.097866111543569789048501755904850175X9781281154354128115435097890485017939048501792https://doi.org/10.5117/9789053569801(CKB)1000000000486813(EBL)419759(OCoLC)476250271(SSID)ssj0000154775(PQKBManifestationID)11161463(PQKBTitleCode)TC0000154775(PQKBWorkID)10418987(PQKB)11575349(Au-PeEL)EBL419759(CaPaEBR)ebr10281442(CaONFJC)MIL115435(MiAaPQ)EBC419759(oapen)https://directory.doabooks.org/handle/20.500.12854/27406(ScCtBLL)a90c080a-e961-4e77-b489-6370e371fc62(oapen)doab27406(EXLCZ)99100000000048681320081107d2007 uy 0engurcn|||||||||txtccrFilm architecture and the transnational imagination set design in 1930s European cinema /Tim Bergfelder, Sue Harris, Sarah Street1st ed.Amsterdam Amsterdam University Pressc20071 online resource (320 pages) illustrationsFilm culture in transitionDescription based upon print version of record.9789053569801 9053569804 9789053569849 9053569847 Includes bibliographical references (p. [297]-304) and indexes.Contents ; Acknowledgements ; Ch. 1: Introduction: Understanding and Interpreting Set Design in Cinema ; Ch. 2: European Set Design in the 1920's and 1930's: Cultural Contexts and Professional Practices ; Ch.3: Imagining Space in Late Weimar Cinema ; Ch. 4: French Cinema in the 1930's: Space, Place and National Identity ; Ch. 5: Set Design, Style, and Genre in 1930's British Cinema ; Notes ; Bibliography ; Index of Film Titles ; Index of Names and SubjectsPresents for the first time a comparative study of European film set design in the late 1920's and 1930Film culture in transition.Motion picturesSetting and sceneryEuropeMotion picturesEuropeHistory20th centuryGroup work in artTransnationalismMotion picturesSetting and sceneryMotion picturesHistoryGroup work in art.Transnationalism.791.43025094Bergfelder Tim800827Harris Sue800828Street Sarah800826MiAaPQMiAaPQMiAaPQBOOK9910146422903321Film Architecture and the Transnational Imagination1802135UNINA