05337nam 22006374a 450 991014371460332120170815121802.01-280-51930-497866105193090-470-09480-X0-470-09479-6(CKB)1000000000356510(EBL)267169(OCoLC)318080802(SSID)ssj0000115142(PQKBManifestationID)11117275(PQKBTitleCode)TC0000115142(PQKBWorkID)10006734(PQKB)10273067(MiAaPQ)EBC267169(EXLCZ)99100000000035651020060223d2006 uy 0engur|n|---|||||txtccrBroadband optical access networks and fiber-to-the-home[electronic resource] systems technologies and deployment strategies /edited by Chinlon LinChichester, England ;Hoboken, NJ Wileyc20061 online resource (336 p.)Description based upon print version of record.0-470-09478-8 Includes bibliographical references and index.Broadband Optical Access Networks and Fiber-to-the-Home; Contents; Foreword; Preface and Overview; Acronyms; Contributors List; 1 Broadband Optical Access Technologies and FTTH Deployment in NTT; 1.1 Introduction; 1.2 History of Optical Technology in Japan; 1.2.1 The First Research on Subscriber Optical Transmission Systems; 1.2.2 From Multi-Mode Fiber to Single-Mode Fiber; 1.2.3 Development of CT/RT System; 1.2.4 Moving Towards FTTH; 1.2.5 Optical Systems at Metal-Wire Costs; 1.2.6 Access Network Optical Upgrading Program; 1.3 Trends in Broadband Services1.3.1 Growth of Broadband Services in Japan1.3.2 Vision for a New Optical Generation; 1.4 Optical Access Technology Behind Broadband Services; 1.4.1 Optical Access Technology for Current Broadband Services; 1.4.2 Broadband Access Network Technology in the Future; 1.5 Conclusion; References; 2 Today's Broadband Fiber Access Technologies and Deployment Considerations at SBC; 2.1 Introduction; 2.2 Fiber-to-the-Neighborhood (FTTX) Architecture; 2.2.1 FTTH Access Architecture; 2.2.2 FTTN Access Architecture; 2.3 ITU-T PON Standards; 2.3.1 ITU-T G.983 B-PON Standards Series2.3.2 ITU-T G.984 G-PON for Higher Speeds2.3.3 The Role of Standards in Interoperability; 2.4 PON Technology Background; 2.4.1 Upstream Bandwidth Assignment; 2.4.2 Ranging; 2.4.3 Splitters; 2.5 The SBC FTTH Network; 2.5.1 The Optical Fiber/Distribution Network; 2.5.2 FTTH ONTs; 2.5.3 SBC's Mission Bay Trial; 2.6 SBC Fiber to the Node (FTTN) NETWORK; 2.7 The Home Network; 2.8 Motivating the New Network - IPTV; Summary; General References; 3 FTTH: The Swedish Perspective; 3.1 Introduction; 3.2 Contents; 3.3 Definitions; 3.3.1 Broadband Definition; 3.3.2 FTTH Definition3.3.3 Muni Net Definition3.3.4 Residential Area Network, Definition; 3.4 Background for the Swedish FTTH Boom; 3.5 The Swedish Broadband Market Today; 3.5.1 Broadband Penetration Compared to the OECD; 3.5.2 The Broadband Market and Access Technologies in Sweden; 3.5.3 Equipment Suppliers; 3.5.4 The Swedish Broadband Industry; 3.5.5 Collaboration Between Industry and Academia; 3.6 Open Networks Versus Vertical Integration; 3.6.1 The Open Network; 3.6.2 Functions When Operating Muni Nets; 3.6.3 Relationships and Monetary Flows in Muni Nets; 3.6.4 Open Networks Versus Vertical Integration3.7 Access Network Technologies3.7.1 PON Versus Point-to-Point Ethernet; 3.7.2 L2 Versus L3 Access Architectures; 3.8 Drivers, Services and Trends for the Future Broadband Networks; 3.8.1 Operators and Network Owners; 3.8.2 Authorities; 3.9 Description of Key Swedish FTTH Players; 3.9.1 PacketFront; 3.9.2 Ericsson; 3.9.3 TeliaSonera; 3.9.4 Svenska Bosta ̈der in Va ̈llingby: A Greenfield Deployment; 3.9.5 Stockholm and the Va ̈llingby Model: A Brownfield Deployment; 3.10 Summary; Acknowledgements; References; 4 Broadband Access Networks and Services in Korea4.1 Changing Environments and FITL PlanBroadband Optical Access and Fiber-to-the-Home (FTTH) will provide the ultimate broadband service capabilities. Compared with the currently well-deployed broadband access technologies of ADSL (Asymmetric Digital Subscriber Line) and Cable Modems, optical broadband access with Fiber-to-the-User's home will cater for much higher speed access for new services. Broadband Optical Access Networks and Fiber-to-the-Home presents a comprehensive technical overview of key technologies and deployment strategies for optical broadband access networks and emerging new broadband services. Optical fiber subscriber loopsBroadband communication systemsElectronic books.Optical fiber subscriber loops.Broadband communication systems.004.6/4004.64621.3821Lin Chinlon924220MiAaPQMiAaPQMiAaPQBOOK9910143714603321Broadband optical access networks and fiber-to-the-home2074084UNINA04651nam 22005895 450 991101864470332120260605201315.09783031923418(electronic bk.)10.1007/978-3-031-92341-8(MiAaPQ)EBC32235818(Au-PeEL)EBL32235818(CKB)39719251900041(DE-He213)978-3-031-92341-8(OCoLC)1530638642(EXLCZ)993971925190004120250725d2025 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThe Co-production Landscape in Europe From Eurimages to Netflix /by Petar Mitric1st ed. 2025.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2025.1 online resource (256 pages)Palgrave European Film and Media Studies,2634-6168Print version: Mitric, Petar The Co-Production Landscape in Europe Cham : Palgrave Macmillan,c2025 9783031923401 Chapter 1: European Co-Production – Because Together Is Better than One -- Chapter 2: Towards an Ideal European Co-Production and Its Audiences -- Chapter 3: From Borders to Bridges: Eurimages and the Rise of European Co-Production Field -- Chapter 4:Architects of Collaboration: The Role of Public Film Funds in European Co-Productions -- Chapter 5: Navigating the Labyrinth of European Co-Production: Voices from Behind the Camera -- Chapter 6: From Vision to Viewer: Audience Design in European Co-Production -- Chapter 7: Co-Producing in the Netflix Age: Balancing Independence and Collaboration -- Chapter 8: Conclusion. “Petar Mitric leverages years of desk and field research to provide an original contribution to the understanding of European international co-productions in the era of globalization and platformization. In his book, Mitric wisely relates three key stakeholders (policymakers, practitioners, and the audience) in order to analyze tensions and trends that have characterized co-productions over time. By combining traditional and innovative research tools applied to case studies with an evident personal passion for the topic, that emerges from a very pleasant writing style, Mitric's volume is set to become an essential reference in the emerging field of European media industry studies.” --Associate Professor Marco Cucco, University of Bologna, Italy This book explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film i Väst and TorinoFilmLab. .Palgrave European Film and Media Studies,2634-6168Motion picture plays, EuropeanMotion picture industryTelevision broadcastingMotion picturesProduction and directionEuropean Film and TVFilm and Television IndustryFilm and Television ProductionMotion picture plays, European.Motion picture industry.Television broadcasting.Motion picturesProduction and direction.European Film and TV.Film and Television Industry.Film and Television Production.791.4094Mitric Petar1836467MiAaPQMiAaPQMiAaPQ9911018644703321The Co-production Landscape in Europe4414583UNINA