01219nam2 22002653i 450 VAN0009185220240806100652.33020121112f1882 |0itac50 baitaIT|||| |||||ˆ<<‰Principi di diritto civile>> 5per F. Laurent2. ed. diligentemente riveduta e migliorata con raffronti ed appendici concernenti la legislazione e la giurisprudenza italianaMilanoSocietà editrice libraria[18--?]XLI, 558 p.26 cmBiblioteca LauriaIT-IT-CE0105 CONSBL.800M.3395001VAN000997302001 Principii di diritto civileper F. Laurent210 MilanoSocietà editrice libraria215 vol.26 cm.5MilanoVANL000284LaurentFrancoisVANV036411422725ITSOL20240906RICABIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZAIT-CE0105VAN00VAN00091852BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS BL.800M.339 5 00BL 1595 20121112 Biblioteca LauriaPrincipi di diritto civile 51434596UNICAMPANIA02855nam 2200529zu 450 991014182330332120210807002030.0(CKB)2670000000409807(SSID)ssj0000986019(PQKBManifestationID)11548009(PQKBTitleCode)TC0000986019(PQKBWorkID)10933367(PQKB)11531464(WaSeSS)Ind00074744(oapen)https://directory.doabooks.org/handle/20.500.12854/54643(oapen)doab54643(EXLCZ)99267000000040980720160829d2012 uy engur|||||||||||txtccrThe new work of composingUtah State University Press/ Computers and Composition Digital Press2012[Place of publication not identified]Computers and Composition Digital Press20121 online resourceBibliographic Level Mode of Issuance: Monograph0-87421-888-8 The New Work of Composing is a book-length collection whose purpose is to examine the complex and semiotically rich challenges and opportunities posed by new modes of composing, new forms of rhetoric, new concepts of texts and textuality, and new ways of making meaning. In particular, this book explores how digital media are shaping our understanding of scholarly projects within composition studies, including the need to reconsider print-centric conceptions of composing; theorize and illustrate new digital genres and interrogate definitions of authorial identity; consider how digital media change our understanding of (virtual and scholarly) space and place and allow new possibilities for embodiment; explore political implications of using new media in scholarship. Twelve chapters that respond to these objectives were solicited from participants of the 2008 Thomas R. Watson Conference on Rhetoric and Composition and were reviewed by the book’s editors. The book includes a foreword by N. Katherine Hayles and responses to the themes above written by Marilyn Cooper, Paul Prior, Diana George, and Andrea Lunsford. Authors include established scholars in digital writing studies and digital humanities, as well as new voices.Languages & LiteraturesHILCCPhilology & LinguisticsHILCCdigital mediadigital writingcomposition studiesComposingLanguages & LiteraturesPhilology & LinguisticsCheryl Ballauth1843148Journet DebraTrauman RyanBall Cheryl EPQKBBOOK9910141823303321The new work of composing4423971UNINA