01164nam a22003495i 4500991002251999707536cr nn 008mamaa121227s1997 de | s |||| 0|eng d9783540497288b14144876-39ule_instBibl. Dip.le Aggr. Matematica e Fisica - Sez. Matematicaeng512.723AMS 11G09AMS 11G18AMS 11F67AMS 11G35AMS 19F27AMS 32G20Wildeshaus, Jörg351016Realizations of polylogarithms[e-book] /by Jörg WildeshausBerlin :Springer,19971 online resource (xii, 344 p.)Lecture Notes in Mathematics,0075-8434 ;1650MathematicsNumber theorySpringer eBookshttp://dx.doi.org/10.1007/BFb0093051An electronic book accessible through the World Wide Web.b1414487603-03-2205-09-13991002251999707536Realizations of polylogarithms78836UNISALENTOle01305-09-13m@ -engde 0002856nam 2200529zu 450 991014182330332120210807002030.0(CKB)2670000000409807(SSID)ssj0000986019(PQKBManifestationID)11548009(PQKBTitleCode)TC0000986019(PQKBWorkID)10933367(PQKB)11531464(WaSeSS)Ind00074744(oapen)https://directory.doabooks.org/handle/20.500.12854/54643(oapen)doab54643(EXLCZ)99267000000040980720160829d2012 uy engur|||||||||||txtccrThe new work of composingUtah State University Press/ Computers and Composition Digital Press2012[Place of publication not identified]Computers and Composition Digital Press20121 online resourceBibliographic Level Mode of Issuance: Monograph0-87421-888-8 The New Work of Composing is a book-length collection whose purpose is to examine the complex and semiotically rich challenges and opportunities posed by new modes of composing, new forms of rhetoric, new concepts of texts and textuality, and new ways of making meaning. In particular, this book explores how digital media are shaping our understanding of scholarly projects within composition studies, including the need to reconsider print-centric conceptions of composing; theorize and illustrate new digital genres and interrogate definitions of authorial identity; consider how digital media change our understanding of (virtual and scholarly) space and place and allow new possibilities for embodiment; explore political implications of using new media in scholarship. Twelve chapters that respond to these objectives were solicited from participants of the 2008 Thomas R. Watson Conference on Rhetoric and Composition and were reviewed by the book’s editors. The book includes a foreword by N. Katherine Hayles and responses to the themes above written by Marilyn Cooper, Paul Prior, Diana George, and Andrea Lunsford. Authors include established scholars in digital writing studies and digital humanities, as well as new voices.Languages & LiteraturesHILCCPhilology & LinguisticsHILCCdigital mediadigital writingcomposition studiesComposingLanguages & LiteraturesPhilology & LinguisticsCheryl Ballauth1843148Journet DebraTrauman RyanBall Cheryl E.PQKBBOOK9910141823303321The new work of composing4423971UNINA