04073nam 22006012 450 991014181430332120240405031526.090-485-1824-5(CKB)2670000000410039(SSID)ssj0001015962(PQKBManifestationID)12385013(PQKBTitleCode)TC0001015962(PQKBWorkID)11025547(PQKB)11367273(WaSeSS)IndRDA00058626(UkCbUP)CR9789048518241(Au-PeEL)EBL1773755(CaPaEBR)ebr10878374(CaONFJC)MIL801036(OCoLC)860759401(MiAaPQ)EBC1773755(EXLCZ)99267000000041003920201130d2013|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierHiding making, showing creation the studio from Turner to Tacita Dean /edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann[electronic resource]1st ed.Amsterdam :Amsterdam University Press,2013.1 online resource (262 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 14 Dec 2020).90-8964-507-1 Includes bibliographical references and index.Introduction /Rachel Esner, Sandra Kisters and Ann-Sophie Lehmann --PART I:Introduction: Old and New Studio Topoi in the Nineteenth Century /Sandra Kisters --Studio Matters: Materials, Instruments and Artistic Processes /Monika Wagner --Jean-Léon Gérôme, His Badger and His Studio /Matthias Krüger --Showing Making in Courbet's The Painter's Studio /Petra ten-Doesschate Chu --Making and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting /Terry van Druten --14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau /Maar ten Liefooghe --Artist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century /Mayken Jonkman --PART II:Introduction: Forms and Functions of the Studio from the Twentieth Century to Today /Rachel Esner --Studio as Mediator /Frank Reijnders --Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings /Matthias Noe ll --Studio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) /Beatrice von Bismarck --Empty Studio: Bruce Nauman's Studio Films /Eric de Bruyn --Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur /Wouter Davidts --Staging the Studio: Enacting Artful Realities through Digital Photography /Sarah de Rijcke --Epilogue: "Good Art Theory Must Smell of the Studio" /Ann-Sophie Lehmann.The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The essays here also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present.Artists' studiosArtists' studios in artCreation (Literary, artistic, etc.)Artists' studios.Artists' studios in art.Creation (Literary, artistic, etc.)702.8Esner RachelKisters SandraLehmann Ann-Sophie1969-UkCbUPUkCbUPBOOK9910141814303321Hiding Making - Showing Creation1803330UNINA