02889nam 2200661Ia 450 991014159680332120200520144314.09789048517510904851751610.26530/OAPEN_449202(CKB)2670000000357133(EBL)1773756(SSID)ssj0000993616(PQKBManifestationID)12376177(PQKBTitleCode)TC0000993616(PQKBWorkID)10956801(PQKB)11649589(MiAaPQ)EBC1773756(OCoLC)857081647(UkCbUP)CR9789048517510(Au-PeEL)EBL1773756(CaPaEBR)ebr10729317(CaONFJC)MIL552065(ScCtBLL)97fb876f-f173-485e-9728-149dc6b68ce9(OCoLC)1159390425(EXLCZ)99267000000035713320130719d2013 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierInstallation art and the museum presentation and conservation of changing artworks /Vivian van Saaze1st ed.Amsterdam Amsterdam University Press20131 online resource (225 pages) digital, PDF file(s)Open Access e-BooksKnowledge UnlatchedIncludes index.9789089644596 9089644598 Includes bibliographical references (pages 193-212) and indexes.Introduction: Challenges of Installation Art -- 1. Key Concepts and Developments in Conservation Theory and Practice -- 2. From Singularity to Multiplicity: Authenticity in Practice -- 3. From Intention to Interaction: Artist's Intention Reconsidered -- 4. From Object to Collective, from Artists to Actants: Ownership Reframed -- Conclusion: Challenges and Potentialities of Installation Art.Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing three in-depth case studies, the author sheds new light on the key concepts of traditional conservation - authenticity, artist's intention, and the notion of ownership - while exploring how these concepts apply in contemporary art conservation.Art museumsMuseum exhibitsArt museums.Museum exhibits.709.04/07Saaze Vivian van1754315OAPEN.MiAaPQMiAaPQMiAaPQBOOK9910141596803321Installation art and the museum4190588UNINA