02462 am 22004573u 450 991014043180332120210201124827.09789048513659(ebook)978908964288210.26530/OAPEN_467012(CKB)2670000000528082(OAPEN)467012(EXLCZ)99267000000052808220191210d2011 uy engurmu#---auuuutxtrdacontentcrdamediacrrdacarrierInside installations theory and practice in the care of complex artworks /editors Tatja Scholte and Glenn Wharton[Amsterdam] :Amsterdam University Press,2011.1 online resource (272 pages) illustrations9048513650 Anything is possible in installation art. The typically short lifespan of the materials and techniques used and the intended experience can be endless, often to the despair of the custodian of the work. The processes involved in preserving this complex form of art, reinstalling it, finding ways to recreate the experience over and again, as well as the decisionmaking that underlies these processes, form the backbone of this book. What did the artist originally intend and how has that concept been realised in the past? How can one preserve and document the installation? What relation exists between the components and the space, and what is the spectator’s part in the work? Questions of this kind are examined in connection with a number of case studies. At the same time, it reports on the results of an extensive research project Inside Installations (2004-2007) carried out by an international group of custodians active in the conservation of contemporary art.Installations (Art)Conservation and restorationArt, Modern20th centuryArt, Modern21st centuryArt, Modernfast(OCoLC)fst00816615Art techniques & principlesbicsscInstallations (Art)Conservation and restoration.Art, ModernArt, ModernArt, Modern.Art techniques & principles709.0407Scholte Tatja1953-864760Wharton Glenn864761UkMaJRU9910140431803321Inside installations1930240UNINA