03563nam 2200673 a 450 991014002320332120200520144314.09786612387340978128238734812823873409789048506460904850646810.5117/9789089640253(CKB)1000000000817799(EBL)474234(OCoLC)475694421(SSID)ssj0000340427(PQKBManifestationID)11265588(PQKBTitleCode)TC0000340427(PQKBWorkID)10388346(PQKB)11781684(MiAaPQ)EBC474234(Au-PeEL)EBL474234(CaPaEBR)ebr10354078(CaONFJC)MIL238734(ScCtBLL)af72cfac-2466-486f-ae4e-8a500a356bdf(OCoLC)741346925(EXLCZ)99100000000081779920081023d2008 uy 0engur|n|---|||||txtccrMind the screen media concepts according to Thomas Elsaesser /edited by Jaap Kooijman, Patricia Pisters and Wanda Stauven1st ed.Amsterdam Amsterdam University Pressc20081 online resource (375 p.)Description based upon print version of record.9789089640253 9089640258 Includes bibliographical references.Table of Contents; A Looking Glass for Old and New Screens; ACT I: Melodrama, Memory, Mind Game; Cinephilia in Transition; Theorizing Melodrama; Of Surfaces and Depths; Failed Tragedy and Traumatic Love in IngmarBergman's Shame; Mediated Memories; Running on Failure; Into the Mind and Out to the World; A Critical Mind; Intermezzo: Scholars, Dreams, and Memory Tapes; ACT II: Europe-Hollywood-Europe; The Cheetah of Cinema; Bear Life; Constitutive Contingencies; Lili and Rachel; Amsterdamned Global Village; Soundtracks of Double Occupancy; Hollywood Face to Face with the WorldTo Be or Not to Be Post-ClassicalBumper Stories; Intermezzo "Where Were You When ...?" or "I Phone,Therefore I Am"; ACT III: Archaeology, Avant-Garde, Archive; Reflections in a Laserdisc; S/M; Consumer Technology after Surveillance Theory; Migratory Terrorism; The Echo Chamber of History; Displacing the Colonial Archive; Found Footage, Performance, Reenactment; Digital Convergence Ten Years Later; Notes on Contributors; Key Publications by Thomas ElsaesserMind the Screen pays tribute to Thomas Elsaesser, pioneering and leading scholars in the field of film and media studies. The contributions present a close-up of media concepts developed by Elsaesser, providing a looking glass for all types of audio-visual screens, from archaeological pre-cinematic screens to the silver screen, from the TV-set to the video installation and the digital e-screen, and from the city screen to the mobile phone display. The book is divided in three 'Acts': Melodrama, Memory, Mind Game; Europe-Hollywood-Europe; Archaeology, Avant-Garde, Archive. Between the Acts InteFilm criticismMass media criticismFilm criticism.Mass media criticism.302.2343Pisters Patricia942501Strauven Wanda776062MiAaPQMiAaPQMiAaPQBOOK9910140023203321Mind the screen2126914UNINA