04363nam 2200601Ia 450 991013949750332120200520144314.00-87421-692-3(CKB)2550000000007490(EBL)486007(OCoLC)593279947(SSID)ssj0000337655(PQKBManifestationID)11230342(PQKBTitleCode)TC0000337655(PQKBWorkID)10294865(PQKB)10154753(MiAaPQ)EBC3442801(MdBmJHUP)muse13368(MiAaPQ)EBC486007(Au-PeEL)EBL486007(oapen)https://directory.doabooks.org/handle/20.500.12854/47575(EXLCZ)99255000000000749020080807d2008 ub 0engur|n|---|||||txtccrThe fierce tribe masculine identity and performance in the Circuit /Mickey WeemsLogan, UT Utah State University Pressc20081 online resource (298 pages) illustrationsDescription based upon print version of record.0-87421-691-5 Includes bibliographical references and index.Introduction: fascists and whores -- pt. I. Fierce: -- Banishing the God of mediocrity -- The few, the proud, the cracked -- Thousands of dancing gay men -- Fierceness -- The girlfriends -- Harm reduction -- pt. II. Tribe: A history of festive homosexuality: 1700-1969 CE -- A history of the Circuit(s): 1969 CE-present -- A tale of two cities: NOLA and MIA -- pt. III. Pulse: Popular dance -- Axe -- From marching soldier to dancing Queen -- PART IV ecstasy -- The DJ -- Stepping out.Mickey Weems applies overtly interdisciplinary interpretation to a subject that demands such a breakdown of intellectual boundaries. This is an ethnography that documents the folk nature of popular culture. The Circuit, an expression of Gay culture, comprises large dance events (gatherings, celebrations, communions, festivals). Music and dance drive a complex, shared performance at these events-electronic house music played by professional DJs and mass ecstatic dancing that engenders communitas. Other types of performance, from drag queens and concerts to contests, theatrics, and the iIn this ethnography that documents the folk nature of popular culture, Mickey Weems applies interdisciplinary interpretation to a subject that demands such a breakdown of intellectual boundaries. The Circuit, an expression of gay culture, comprises large dance events—gatherings, celebrations, communions, festivals. Music and dance drive complex, shared performances—electronic house music played by professional DJs and mass ecstatic dancing that engenders communitas. Other performances, from drag queens and concerts to contests, theatrics, and the individual display of muscular bodies are part of the festivities.Body sculpting through muscle building is strongly associated with the Circuit, and masculine aggression is both displayed and parodied. Weems, a participant-observer with a multidisciplinary background in anthropology, folklore, religious studies, cultural studies, and somatic studies, considers the cultural and ethical dimensions of what to outsiders might seem to be just wild, flamboyant parties. He compares the Circuit to other traditions of ecstatic and communal dance, and uses his grounding in African-Brazilian Candomblé and in religious studies to illuminate spiritual experiences reported by Circuit participants. And, as a U.S. Marine, he offers the nonviolent masculine arrogance of Circuiteers as an alternative to the violent forms of masculine aggression embedded in the military and much of western culture.Gay and lesbian dance partiesSocial aspectsUnited StatesGay cultureUnited StatesGay menUnited StatesIdentityGay and lesbian dance partiesSocial aspectsGay cultureGay menIdentity.306.76/60973306.7660973Weems Mickey801380MiAaPQMiAaPQMiAaPQBOOK9910139497503321Fierce Tribe1802706UNINA