01081nam0 22002651i 450 SUN004893120060809120000.088-7813-242-X20060801d1989 |0itac50 baitaIT|||| |||||Malborghettoa cura di Gaetano Messineotesti di Gaetano Messineo e Carmelo CalciRomaDe Luca edizioni d'arte1989141 p.29 cm.001SUN00392332001 Lavori e studi di archeologia15210 RomaDe Luca.Messineo, GaetanoSUNV033509Calci, CarmeloSUNV038727De LucaSUNV000369650ITSOL20181109RICASUN0048931UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI07 CONS Ba Roma 1-15 07 DP 392 UFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALIIT-CE0103DP392CONS Ba Roma 1-15caMalborghetto75992UNICAMPANIA01196oam 2200301z- 450 991013934420332120080118090418.088-15-11622-288-15-14058-1(CKB)2470000000005231(EXLCZ)99247000000000523120220316c2009uuuu -u- -itaLa libera circolazione dei lavoratori nell'Unione europea principi e tendenze /Stefano Giubboni, Giovanni OrlandiniSocietà editrice il MulinoBolognaLa libera circolazione dei lavoratori nell'Unione europea: Principi e tendenzeLa libera circolazione dei lavoratori nell'Unione europea. Principi e tendenzelibera circolazione dei lavoratori nell'Unione europeaFree choice of employmentEuropean Union countriesFreedom of movementEuropean Union countriesFree choice of employmentFreedom of movementGiubboni Stefano150601Orlandini Giovanni280195BOOK9910139344203321Libera circolazione dei lavoratori nell'Unione europea65032UNINA03252nam 2200661 450 991079690550332120230807214014.00-8047-9474-X10.1515/9780804794749(CKB)3710000000374967(EBL)1990260(SSID)ssj0001441150(PQKBManifestationID)12477219(PQKBTitleCode)TC0001441150(PQKBWorkID)11392509(PQKB)11169471(StDuBDS)EDZ0001101882(MiAaPQ)EBC1990260(DE-B1597)563619(DE-B1597)9780804794749(Au-PeEL)EBL1990260(CaPaEBR)ebr11033061(OCoLC)904979263(OCoLC)1198929933(EXLCZ)99371000000037496720150328h20152015 uy 0engur||#||||||||txtccrThe studios after the studios neoclassical Hollywood (1970-2010) /J. D. ConnorStanford, California :Stanford University Press,2015.©20151 online resource (377 p.)Post 45Description based upon print version of record.0-8047-9077-9 Includes bibliographical references and index.Front matter --Table of Contents --Acknowledgments --Introduction --1. Logorrhea, or, How to Watch a Hollywood Movie --Introduction --2. The Literal and the Littoral: Jaws --3. Paramount I: From the Directors Company to High Concept --4. Our Man in Armani: The Ovitz Interregnum --Introduction --5. Paramount II: The Residue of Design --6. Let’s Make the Weather: Chaos Comes to Hollywood --Introduction --7. That Oceanic Feeling: One Merger Too Many --8. The Anxious Epic and the Qualms of Empire: Conglomerate Overstretch --Conclusion --Notes --IndexModern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970's, they returned to power in the 1980's, ruled unquestioned in the 1990's, and in the new millennium are again besieged. But in the heyday of this new classical era, the major studios movies - their stories and styles - were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know howPost 45.Motion picture studiosCaliforniaLos AngelesHistoryMotion picture industryCaliforniaLos AngelesHistoryMotion picturesCaliforniaLos AngelesHistoryHollywood (Los Angeles, Calif.)HistoryMotion picture studiosHistory.Motion picture industryHistory.Motion picturesHistory.384/.80979494Connor J. D.1505831MiAaPQMiAaPQMiAaPQBOOK9910796905503321The studios after the studios3735721UNINA