02629nam 2200649Ia 450 991013916770332120171026195700.097866130115969781283011594128301159X9780472024490047202449310.3998/dcbooks.6814160.0001.001(CKB)2560000000071328(OCoLC)705944500(CaPaEBR)ebrary10451074(SSID)ssj0000471962(PQKBManifestationID)11284189(PQKBTitleCode)TC0000471962(PQKBWorkID)10433171(PQKB)10916954(MiAaPQ)EBC3414973(MiU)10.3998/dcbooks.6814160.0001.001(ODN)ODN0000540524(EXLCZ)99256000000007132820090203d2009 ub 0engur||#---|||||txtrdacontentcrdamediacrrdacarrierParodies of ownership hip-hop aesthetics and intellectual property law /Richard L. SchurAnn Arbor :University of Michigan Press,c2009.1 online resource (xiv, 236 pages) digital file(s)Bibliographic Level Mode of Issuance: Monograph9780472050604 0472050605 Includes bibliographical references and index.Intro -- Contents -- 1. From Chattel to Intellectual Property: Legal Foundations of African American Cultural Critique -- 2. Critical Race Theory, Signifyin', and Cultural Ownership -- 3. Defining Hip-Hop Aesthetics -- 4. Claiming Ownership in the Post-Civil Rights Era -- 5. "Fair Use" and the Circulation of Racialized Texts -- 6. "Transformative Uses": Parody and Memory -- 7. From Invisibility to Erasure? The Consequences of Hip-Hop Aesthetics -- Notes -- Bibliography -- Index.An intriguing interdisciplinary examination of hip hop aesthetics.African Americans in popular cultureAfrican AmericansLegal status, laws, etcHip-hopInfluenceIntellectual propertyUnited StatesAfrican Americans in popular culture.African AmericansLegal status, laws, etc.Hip-hopInfluence.Intellectual property342.730873MUS031000SOC000000SOC001000bisacshSchur Richard L.801205MiUMiUBOOK9910139167703321Parodies of ownership1802562UNINA