04247 am 22007813u 450 991013903210332120221206112510.090-04-25865-510.1163/9789004258655(CKB)2550000001112188(EBL)1357634(SSID)ssj0001048975(PQKBManifestationID)11652463(PQKBTitleCode)TC0001048975(PQKBWorkID)11015984(PQKB)11770164(MiAaPQ)EBC1357634(OCoLC)857278710(nllekb)BRILL9789004258655(oapen)https://directory.doabooks.org/handle/20.500.12854/30861(PPN)174612958(EXLCZ)99255000000111218820130830d2013 uy 0engurcn#nnn|||||txtrdacontentcrdamediacrrdacarrierFollowing the cap-figure in Majapahit temple reliefs a new look at the religious function of East Javanese temples, fourteenth and fifteenth centuries /by Lydia KievenBrill2013Leiden :Brill,2013.1 online resource (xvii, 379 pages) illustrationsVerhandelingen van het Koninklijk Instituut voor Taal-, Land- en VolkenkundePrint version: 97890671838888 Includes bibliographical references and index.Preliminary Material -- Introduction -- Narrative reliefs and panji stories -- Iconography of the Late East Javanese temple reliefs -- Temples in context of religion and politics -- Table of depictions of cap-figures in Majapahit art in chronological order -- Candi Jago: The cap, a new fashion of headgear -- Candi Panataran: Panji, introducing the pilgrim into the Tantric doctrine -- Candi Surowono: Sidapaksa, a nobleman with a cap -- Candi Mirigambar: Panji, the ideal lover and warrior -- Sanctuaries on Mount Penanggungan: Candi Kendalisodo, Candi Yudha, and the Panji statue from Candi Selokelir – the climax -- Conclusion: Panji and the Cap-figure as intermediary characters on the path to Tantric rituals -- Appendix: Previous research on the single case studies -- Glossary: Javanese and Old Javanese terms -- Bibliography -- Index.Following male figures wearing a cap (cap-figures) in temple reliefs of the Javanese Majapahit period (ca. 1300-1500) leads to astonishing results on their meaning and function. The cap-figures, representing commoners, servants, warriors, noblemen, and most significantly Prince Panji, the hero from the East Javanese Panji stories, are unique to depictions of non-Indic narratives. The cap-figure constitutes a prominent example of Majapahit’s creativity in new concepts of art, literature and religion, independent from the Indian influence. More than that, the symbolic meaning of the cap-figures leads to an esoteric level: a pilgrim who followed the depictions of the cap-figures and of Panji in the temples would have been guided to the Tantric doctrine within Hindu-Buddhist religion. This title is available online in its entirety in Open Access.Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde280.Hindu templesIndonesiaJavaHistoryHindu symbolismHistoryHindu symbolismfastHindu templesfastReligionfastJava (Indonesia)ReligionIndonesiaHistoryTo 1478IndonesiafastIndonesiaJavafastHistory.fastindonesiaMajapahitPanji (prince)PendhapaSri TanjungTantraHindu templesHistory.Hindu symbolismHistory.Hindu symbolism.Hindu temples.Religion.294.550959828Kieven Lydia944921NL-LeKBNL-LeKBUkMaJRUBOOK9910139032103321Following the cap-figure in Majapahit temple reliefs2133315UNINA