00993nam0-22003251i-450 99000086046040332120200921093307.00-534-98180-1000086046FED01000086046(Aleph)000086046FED0100008604620001010d1990----km-y0itay50------baengy-------001yyPartial differential equationsanalytical solution techniquesJ. KevorkianPacific Grove-CaliforniaWadsworth & Brooks/Cole Advanced Books & Software1990XIV, 547 p.23 cmInternational student editionEquazioni differenziali alle derivate parziali515.353Kevorkian,J.26223ITUNINARICAUNIMARCBK99000086046040332102 34 E 565894FINBNFINBNPartial differential equations735546UNINAING0102339nam 2200553 a 450 991046552370332120200520144314.00-8173-8560-6(CKB)2560000000079463(EBL)835607(OCoLC)772845309(SSID)ssj0000588610(PQKBManifestationID)11363959(PQKBTitleCode)TC0000588610(PQKBWorkID)10651532(PQKB)11211981(MiAaPQ)EBC835607(MdBmJHUP)muse27043(Au-PeEL)EBL835607(CaPaEBR)ebr10527804(EXLCZ)99256000000007946320100902d2011 uy 0engur|n|---|||||txtccrAlabama afternoons[electronic resource] profiles and conversations /Roy HoffmanTuscaloosa University of Alabama Pressc20111 online resource (273 p.)Description based upon print version of record.0-8173-5903-6 0-8173-1739-2 Includes bibliographical references.pt. 1. The makers -- pt. 2. The tellers -- pt. 3. The journeyers -- pt. 4. Witnesses to the movement -- pt. 5. Down back roads -- pt. 6. Different windows on Dixie -- pt. 7. Personal sojourns. Alabama Afternoons is a collection of portraits of many remarkable Alabamians, famous and obscure, profiled by award-winning journalist and novelist Roy Hoffman. Written as Sunday feature stories for the Mobile Press-Register with additional pieces from the New York Times, Preservation, and Garden & Gun, these profiles preserve the individual stories-and the individual voices within the stories-that help to define one of the most distinctive states in the union. Hoffman recounts his personal visits with writer Mary Ward BrownAlabamaHistoryAnecdotesAlabamaBiographyAnecdotesAlabamaSocial life and customsAnecdotesElectronic books.976.1Hoffman Roy1953-1044671MiAaPQMiAaPQMiAaPQBOOK9910465523703321Alabama afternoons2470458UNINA03399oam 2200625 450 991013746320332120240124004310.02-8218-1476-32-7226-0122-210.4000/books.cdf.386(CKB)3170000000061032(SSID)ssj0000709468(PQKBManifestationID)12341216(PQKBTitleCode)TC0000709468(PQKBWorkID)10662587(PQKB)10551116(FrMaCLE)OB-cdf-386(oapen)https://directory.doabooks.org/handle/20.500.12854/52169(PPN)267951086(EXLCZ)99317000000006103220160829d2011 uy freuu||||||m||||txtccrL'art survivra à ses ruines = Die Kunst geht knapp nicht unterCollège de France2011[Place of publication not identified]Fayard20111 online resource (96 p.)Leðcons inaugurales du Colláege de France L'art survivra áa ses ruines =Bibliographic Level Mode of Issuance: Monograph2-213-66239-8 Je n’ai foi que dans l’art et, sans lui, je suis perdu. Souvent, j’enferme des tableaux dans l’obscurité d’un container, durant de longues années. Que font les tableaux ainsi enfermés pendant tout ce temps, jusqu’au moment où ils se rappellent à mon souvenir en me faisant signe ? Rien ? Certainement pas, puisqu’ils ont su rassembler des forces pour attirer l’attention sur eux. Après avoir libéré la toile de l’obscurité, je la repeins et une transition s’opère vers un autre état. L’autodestruction a toujours été le but le plus intime, le plus sublime de l’art, dont la vanité devient alors perceptible. Quelle que soit la force de l’attaque, et quand bien même il sera parvenu à ses limites, l’art survivra à ses ruines. I have faith in art alone and without it I am lost. Often I shut paintings away in a dark storage space for many long years. What do paintings shut away in this manner do all that time until they give me a sign to remind me they exist? Nothing? Certainly not since they manage to muster enough strength to attract attention to themselves. After having freed a painting from the dark, I repaint it and a transition towards another state of being takes place. Self-destruction has always been the most intimate and sublime aim of art whose vanity thus becomes visible. However strong the attack and whatever its success in achieving its aims, art will survive its own ruin.ArtPhilosophyAestheticsArt and historyVisual ArtsHILCCArt, Architecture & Applied ArtsHILCCVisual Arts - GeneralHILCCartarts plastiquescréation artistiqueArtPhilosophyAestheticsArt and historyVisual ArtsArt, Architecture & Applied ArtsVisual Arts - GeneralKiefer Anselm1945-329819PQKBBOOK9910137463203321L'art survivra à ses ruines = Die Kunst geht knapp nicht unter2280847UNINA