03086 am 2200781 n 450 9910137015403321201604262-7535-4662-210.4000/books.pur.29159(CKB)3710000000745180(FrMaCLE)OB-pur-29159(oapen)https://directory.doabooks.org/handle/20.500.12854/44178(PPN)267933037(EXLCZ)99371000000074518020160712j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierLa couleur, les couleurs XIes Entretiens de La Garenne-Lemot /Jackie PigeaudRennes Presses universitaires de Rennes20161 online resource (264 p.) 2-7535-0396-6 C’est la coutume en ces rencontres de tout suspendre à un thème général. À chacun de jouer avec ses armes, dans son champ favori, attentif aux variations des autres champions. Tout le contraire d’un sujet technique. Un espace donné, pour le plaisir. Comme un jeu, mais très sérieux. Le thème cette année était la couleur. Les couleurs dans leur variété et leur variation. On revient toujours au poikilon grec, au miroitement du monde. Sujet redoutable, mais qui sollicite l’imagination. Sujet inépuisable, mais le but de ces Entretiens est l’invention, l’explication, dans la liberté. La couleur, la lumière, l’éblouissement, l’émerveillement, mais aussi les noirs, les gris ; mais aussi la rencontre de la forme et de la couleur, et naissent les problèmes esthétiques.HistoryLiterature (General)couleurartmusiquelittératurehistoirearthistoiremusiquelittératurecouleurHistoryLiterature (General)couleurartmusiquelittératurehistoireAubé-Bourligueux Jocelyne1285389Blay Frédéric Le1285390Boccadoro Brenno474706Combronde Caroline610459Delon Michel377450Dhombres Jean46297Fimiani Filippo525587Gall Yvon Le1285394Gardair Christian1299882Girons Baldine Saint1285395Hersant Yves155302Heuzé Philippe405331Laneyrie-Dagen Nadeije175095Maréchaux Pierre1286921Michel Alain181911Pigeaud Jackie158831Pommier Édouard165669Wolff Étienne511123Pigeaud Jackie158831FR-FrMaCLEBOOK9910137015403321La couleur, les couleurs3025308UNINA05140nam 2201093Ia 450 991079142540332120230725015819.00-8147-8653-70-8147-4132-010.18574/9780814786536(CKB)2560000000051950(EBL)866006(OCoLC)779828353(SSID)ssj0000413024(PQKBManifestationID)11265395(PQKBTitleCode)TC0000413024(PQKBWorkID)10370332(PQKB)10824854(StDuBDS)EDZ0001326176(MiAaPQ)EBC866006(OCoLC)669500603(MdBmJHUP)muse4825(DE-B1597)547882(DE-B1597)9780814786536(Au-PeEL)EBL866006(CaPaEBR)ebr10420306(EXLCZ)99256000000005195020100517d2010 ub 0engur|n|---|||||txtccrBodies of reform[electronic resource] the rhetoric of character in Gilded Age America /James B. SalazarNew York New York University Pressc20101 online resource (312 p.)America and the long 19th centuryDescription based upon print version of record.0-8147-4131-2 0-8147-4130-4 Includes bibliographical references and index.Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Philanthropic Taste -- 2. Character Is Capital -- 3. Muscle Memory -- 4. “A Story Written on Her Face” -- 5. Character’s Conduct -- Notes -- Index -- About the Author From the patricians of the early republic to post-Reconstruction racial scientists, from fin de siècle progressivist social reformers to post-war sociologists, character, that curiously formable yet equally formidable “stuff,” has had a long and checkered history giving shape to the American national identity.Bodies of Reform reconceives this pivotal category of nineteenth-century literature and culture by charting the development of the concept of “character” in the fictional genres, social reform movements, and political cultures of the United States from the mid-nineteenth to the early-twentieth century. By reading novelists such as Herman Melville, Mark Twain, Pauline Hopkins, and Charlotte Perkins Gilman alongside a diverse collection of texts concerned with the mission of building character, including child-rearing guides, muscle-building magazines, libel and naturalization law, Scout handbooks, and success manuals, James B. Salazar uncovers how the cultural practices of representing character operated in tandem with the character-building strategies of social reformers. His innovative reading of this archive offers a radical revision of this defining category in U.S. literature and culture, arguing that character was the keystone of a cultural politics of embodiment, a politics that played a critical role in determining-and contesting-the social mobility, political authority, and cultural meaning of the raced and gendered body.America and the long 19th century.American fiction19th centuryHistory and criticismCharacter in literatureCharacters and characteristics in literatureNational characteristics, American, in literatureCharacterPolitical aspectsUnited StatesHistory19th centuryRhetoricPolitical aspectsUnited StatesHistory19th centuryPolitical cultureUnited StatesHistory19th centuryPolitics and literatureUnited StatesHistory19th centuryBodies.States.United.category.century.character.charting.concept.culture.cultures.development.early-twentieth.fictional.from.genres.literature.mid-nineteenth.movements.nineteenth-century.pivotal.political.reconceives.reform.social.this.American fictionHistory and criticism.Character in literature.Characters and characteristics in literature.National characteristics, American, in literature.CharacterPolitical aspectsHistoryRhetoricPolitical aspectsHistoryPolitical cultureHistoryPolitics and literatureHistory823/.809353Salazar James B1578358MiAaPQMiAaPQMiAaPQBOOK9910791425403321Bodies of reform3857671UNINA