01188nam2-2200409---450-99000120038020331620070412083747.0000120038USA01000120038(ALEPH)000120038USA0100012003820031016d--------km-y0itay0103----baitaIT||||||||001yy<<1>>: Inferno527 p.200120010010001200372001ALIGHIERI,Dante38904ITsalbcISBD990001200380203316VI.2.A. 87/1(V B 307/1)45347 L.M.V-BBKUMASIAV71020031016USA011552PATRY9020040406USA011726COPAT39020060213USA011035COPAT19020070412USA010837ANNAMARIA9020150203USA011040ANNAMARIA9020150204USA011116BATCH-UPD9020160202USA011150BATCH-UPD9020160309USA011552BATCH-UPD9020160309USA011556Divina Commedia14931UNISA04295 am 22006733u 450 991013678040332120230829055754.09789048514205electronic bk.(CKB)3710000000632501(SSID)ssj0001653144(PQKBManifestationID)16427449(PQKBTitleCode)TC0001653144(PQKBWorkID)14977949(PQKB)11037057(oapen)https://directory.doabooks.org/handle/20.500.12854/35873(EXLCZ)99371000000063250120160829d2011 uy 0engurb|#---|||||txtrdacontentcrdamediacrrdacarrierSubjectivity filmic representation and the spectator's experience /edited by Dominique ChateauAmsterdam University Press2011Amsterdam, Netherlands :Amsterdam University Press,[2011]©20111 electronic resource (276 p.)Key debates SubjectivityBibliographic Level Mode of Issuance: MonographPrint version: 9789089643179 Includes bibliographical references and index.Introduction : rethinking subjectivity in film /Dominique Chateau --Part IFrom mind to film, from film to mind --The cinema as art of the mind : Hugo Münsterberg, first theorist of subjectivity in film /José Moure --The representation of experience in cinema /Gregory Currie --Beyond subjectivity : the film experience /Francesco Casetti --Part IIWays of expressing subjectivity --The man who wasn't there : the production of subjectivity in Delmer Daves' Dark passage /Vivian Sobchack --From aesthetic experience to the loss of identity, in three steps /Pere Salabert --Robert Bresson and the voices of an inner world : "I" can never be "you," or the impossible identification /Céline Scemama --The silence of the lenses : Blow up and the subject of photography /Pierre Taminiaux --Part IIISubjectivity and the epistemology of film studies --Beyond subjectivity : Bakhtin's dialogism and the moving image /Karl Sierek --Imaginary subject /Jacinto Lageira --A philosophical approach to subjectivity in film form /Dominique Chateau --Part IVConversation ; Subjectivity in artistic coupling --Conversation with Maria Klonaris and Katerina Thomadaki : dissident subjectivities : the filmmakers as a double subject /Marina Gržinić.Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.Subjectivity in motion picturesPhilosophyMotion picturesSubjectivityPoint of view (Literature)FilmHILCCMusic, Dance, Drama & FilmHILCCsubjectivitynouvelle vagueConsciousnessDuchy of MünsterbergPoint-of-view shotRobert BressonSubjectivity in motion picturesPhilosophy.Motion pictures.Subjectivity.Point of view (Literature)FilmMusic, Dance, Drama & FilmChateau Dominiqueedt558376Chateau DominiquePQKBUkMaJRUBOOK9910136780403321Subjectivity3361497UNINA