04374nam 2200721 450 991013642180332120200520144314.01-4443-3665-71-119-21267-71-119-21266-9(CKB)3710000000610610(EBL)4451515(SSID)ssj0001628274(PQKBManifestationID)16197940(PQKBTitleCode)TC0001628274(PQKBWorkID)14820573(PQKB)11240532(PQKBManifestationID)16370616(PQKB)23144117(DLC) 2015042365(Au-PeEL)EBL4451515(CaPaEBR)ebr11174075(CaONFJC)MIL902583(CaSebORM)9781444336641(MiAaPQ)EBC4451515(OCoLC)928136919(EXLCZ)99371000000061061020151014d2016 uy| 0engur|n|---|||||txtccrBiennials, triennials, and documenta the exhibitions that created contemporary art /Charles Green and Anthony Gardner1Chichester, West Sussex, United Kingdom :John Blackwell,2016.1 online resource (280 p.)Description based upon print version of record.1-119-21263-4 1-4443-3664-9 Includes bibliographical references and index.Frontispiece; Title Page; Copyright; Preface; Introduction; Why Biennials?; Part 1. The Second Wave; Part 2. The Politics of Legitimacy; Part 3. Hegemony or a New Canon; The Cultural Geography of Biennials; Notes; Part 1: The Second Wave; 1: 1972: The Rise of the Star-Curator; Introduction; Preparation for a Walk-Through Event Structure; "Therapy Has Changed and No Longer Encourages Copious Art Production"; "The Most Important Exhibition of Recent Years"; Conclusion; Notes; 2: 1979: Cultural Translation, Cultural Exclusion, and the Second WaveIntroduction: Biennials as Models for Cultural EncountersFounding the Sydney Biennale; White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney; Import/Export: Sydney and São Paulo; Conclusion; Notes; 3: 1986: The South and the Edges of the Global; Introduction: Origin Stories; A Brief History of Southern Biennials; The Second Bienal de La Habana; Conclusion: The Stakes of Southern Histories; Notes; Part 2: The Politics of Legitimacy; 4: 1989: Asian Biennialization; Introduction; Experimental Versus Traditional Art: "Traditions/Tensions"; Conclusion; Notes5: 1997: Biennials, Migration, and ItinerancyIntroduction; Manifesta and Critical Regionalism; Locality Fails: The 2nd Johannesburg Biennale; By Way of Conclusion: The Emergency Biennale in Chechnya; Notes; Part 3: Hegemony or a New Canon; 6: 2002: Cosmopolitanism; Introduction; The Five-Year Subaltern Plan; Black Box, White Cube; Conclusion; Notes; 7: 2003: Delegating Authority; Introduction; Tirana: "Opening Up the Conversation"; Escape; Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer; "Counterbalance the Decadence of the Ancient City""Outmoded Structure of National Pavilions and Theme Exhibitions"Conclusion; Notes; 8: 2014: Global Art Circuits; Introduction; The Game of Comparison and Competition; Negotiated Inequality; Contemporary Play Time; Coda: 2014; Notes; 9: Conclusion; Notes; Index; EULA"Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"--Provided by publisher.Art and globalizationHistory20th centuryArt and globalizationHistory21st centuryBiennialsHistoryArt and globalizationHistoryArt and globalizationHistoryBiennialsHistory.701/.0309048BUS100000bisacshGreen Charles1953-911426Gardner Anthony1976-MiAaPQMiAaPQMiAaPQBOOK9910136421803321Biennials, triennials, and documenta2041127UNINA