04002nam 22006495 450 991013611460332120200424112023.00-226-33712-X10.7208/9780226337128(CKB)3710000000914926(MiAaPQ)EBC4437721(StDuBDS)EDZ0001557985(DE-B1597)523383(OCoLC)961183701(DE-B1597)9780226337128(EXLCZ)99371000000091492620200424h20162016 fg engurcnu||||||||rdacontentrdamediardacarrierHaydn's Sunrise, Beethoven's Shadow Audiovisual Culture and the Emergence of Musical Romanticism /Deirdre LoughridgeChicago : University of Chicago Press, [2016]©20161 online resource (302 pages) illustrations, photographsPreviously issued in print: 2016.0-226-33709-X Includes bibliographical references and index.Frontmatter -- Contents -- Introduction. Audiovisual Histories -- One. From Mimesis to Prosthesis -- Two. Opera as Peepshow -- Three. Shadow Media -- Four. Haydn's Creation as Moving Image -- Five. Beethoven's Phantasmagoria -- Conclusion. Audiovisual Returns -- Acknowledgments -- Notes -- Select Bibliography -- IndexThe years between roughly 1760 and 1810, a period stretching from the rise of Joseph Haydn's career to the height of Ludwig van Beethoven's, are often viewed as a golden age for musical culture, when audiences started to revel in the sounds of the concert hall. But the latter half of the eighteenth century also saw proliferating optical technologies-including magnifying instruments, magic lanterns, peepshows, and shadow-plays-that offered new performance tools, fostered musical innovation, and shaped the very idea of "pure" music. Haydn's Sunrise, Beethoven's Shadow is a fascinating exploration of the early romantic blending of sight and sound as encountered in popular science, street entertainments, opera, and music criticism. Deirdre Loughridge reveals that allusions in musical writings to optical technologies reflect their spread from fairgrounds and laboratories into public consciousness and a range of discourses, including that of music. She demonstrates how concrete points of intersection-composers' treatments of telescopes and peepshows in opera, for instance, or a shadow-play performance of a ballad-could then fuel new modes of listening that aimed to extend the senses. An illuminating look at romantic musical practices and aesthetics, this book yields surprising relations between the past and present and offers insight into our own contemporary audiovisual culture.Music18th centuryHistory and criticismMusic19th centuryHistory and criticismMixed media (Music)18th centuryHistory and criticismMixed media (Music)19th centuryHistory and criticismMusic and technologyHistory18th centuryMusic and technologyHistory19th centuryJoseph Haydn.Ludwig van Beethoven.audiovisual culture.listening.romanticism.visual technology.MusicHistory and criticism.MusicHistory and criticism.Mixed media (Music)History and criticism.Mixed media (Music)History and criticism.Music and technologyHistoryMusic and technologyHistory780.9033Loughridge Deirdre, authttp://id.loc.gov/vocabulary/relators/aut981014DE-B1597DE-B1597BOOK9910136114603321Haydn's Sunrise, Beethoven's Shadow2238816UNINA