02403 am 22006013u 450 991013539730332120220418224125.01-925021-85-8(CKB)3810000000000125(EBL)4567402(SSID)ssj0001696381(PQKBManifestationID)16545918(PQKBTitleCode)TC0001696381(PQKBWorkID)15066069(PQKB)25091227(WaSeSS)IndRDA00058622(Au-PeEL)EBL4567402(CaPaEBR)ebr11230169(OCoLC)884508168(MiAaPQ)EBC4567402(EXLCZ)99381000000000012520160715h20142014 uy 0engur|n|---|||||txtccrHesychasm and art the appearance of new iconographic trends in Byzantine and Slavic lands in the 14th and 15th centuries /Anita StrezovaCanberra, ACT, Australia :Australian National University Press,2014.©20141 online resource (328 p.)Description based upon print version of record.1-925021-83-1 Includes bibliographical references and index.Preliminary pages; Acknowledgements; List of illustrations; Foreword; Epigraph; Introduction; 1. Byzantine Hesychasm in the 14th and 15th Centuries; 2. General Iconographic Changes in the 14th and 15th Centuries; 3. The Transfiguration Miniature of Parisinus Graecus 1242; 4. The Fresco of the Anastasis in the Chora Church; 5. The Icon of the Trinity by Andrei Rublev; Conclusion; Bibliography; IndexDr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine artMysticism and artChristianity and artPainting, ByzantinePainting, SlavicMysticism and art.Christianity and art.Painting, Byzantine.Painting, Slavic.701.15Strezova Anita802907MiAaPQMiAaPQMiAaPQBOOK9910135397303321Hesychasm and Art1804188UNINA