01551nam 2200349 n 450 99639075410331620200824121830.0(CKB)4940000000105777(EEBO)2240863200(UnM)99856453e(UnM)99856453(EXLCZ)99494000000010577719921007d1585 uy |laturbn||||a|bb|Articuli per Archiepiscopum, Episcopos & reliquum clerum Cantuariensis prouinciæ in synodo inchoata Londini, vicesimo quarto de mensis Nouembris, anno Domini 1584[electronic resource] Regnique serenissimæ in Christo principis Dominæ Elizabethæ, Dei gratia Angliæ, Franciæ & Hyberniæ Reginæ, fidei defensoris &c. vicesimo septimo stabiliti, & regia auctoritate approbati & confirmatiLondini In ædibus A[bel] I[effes][1585?][8] pPrinter's name and conjectured publication date from STC.Signatures: A⁴.Reproduction of the original in the Henry E. Huntington Library and Art Gallery.eebo-0113Ecclesiastical lawGreat BritainEarly works to 1800Ecclesiastical lawCu-RivESCu-RivESCStRLINWaOLNBOOK996390754103316Articuli per Archiepiscopum, Episcopos & reliquum clerum Cantuariensis prouinciæ in synodo inchoata Londini, vicesimo quarto de mensis Nouembris, anno Domini 15842382875UNISA08375 am 22013093u 450 991013538570332120230621141054.0(CKB)3810000000000157(SSID)ssj0001682805(PQKBManifestationID)16508049(PQKBTitleCode)TC0001682805(PQKBWorkID)15036959(PQKB)11340345(OCoLC)945782672(WaSeSS)IndRDA00056461(oapen)https://directory.doabooks.org/handle/20.500.12854/36994(EXLCZ)99381000000000015720160829h20142014 fy 0gerurm|#---uuuuutxtrdacontentcrdamediacrrdacarrierMusikalische repertoires in Zentraleuropa (1420 - 1450) Prozesse & Praktiken /Alexander Rausch, Björn R. Tammen (Hg.)Böhlau2014Wien :Böhlau Verlag,[2014]©20141 online resource (418 pages) illustrations; digital, PDF file(s)Wiener musikwissenschaftliche Beiträge ; $v Band 26Forschungsschwerpunkt Musik--Identität--RaumInternational conference proceedings.3-205-79562-8 Includes bibliographical references and index.Von Prozessen und Praktiken, Schnittstellen und Schmelztiegeln, Raumbefunden und musikalischen Repertoires : Anstelle einer Einleitung / Björn R. Tammen -- Ritual--Repertoire--Geschichte : Identität und Zeitbewusstsein / Reinhard Strohm -- Anlage und Herkunft des Trienter Codex 93 / Rudolf Flotzinger -- Hermann Pötzlinger und seine Musiksammlung : der Mensuralcodex St. Emmeran als Zeignis der zentraleuropäischen Musikpraxis um 1440 / Ian Rumbold -- The transmission of English liturgical music to central Europe c. 1430-c. 1445 / Peter Wright -- Netzwerke lokaler Komponisten in Wien um 1430 / Alexander Rausch -- Presulem ephebeatum by Petrus Wilhelmi de Grudencz and the musical identity of central Europe / Pawel Gancarczyk -- "Libri de cantu" in the early fifteenth-century Veneto : contents, use and ownership / Margaret Bent -- Subjektivierung von Polyphonie : die Devotionsmotette im Kontext der Gattungstransformation 1420-1450 / Wolfgang Fuhrmann -- Anverwandlungen vokaler Mehrstimmigkeit im Bild und durch das Bild : Fallbeispiele aus der ersten Hälfte des 15. Jahrhunderts / Björn R. Tammen -- Sangvers-Lyrik und Sangvers-Epik in deutscher Sprache : Überlegungen zum musikalischen Repertoire im habsburgischen Zentraleuropa im späten 14. Jahrhunderts und in der ersten Hälfte des 15. Jahrhunderts / Ulrich Müller -- Höfische Liedkunst im Kloster, in der Stadt und andernorts : zur Rezeption der geistlichen Lieder des Mönchs von Salzburg in der ersten Hälfte des 15. Jahrhunderts / Stefan Rosmer -- Die Liedersammlung des Liebhard Eghenvelder : im Granzen mehr als die Summe ihrer Teile / Marc Lewon -- Musikalische Bildungs- und Ausbildungsprofile im Wissensraum Wien, 15. Jahrhundert : Dokumente zu ihrer Erschliessung / Susana Zapke.With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic as well as monophonic repertories with a particular focus on the city of Vienna. For the first time, the ‘simultaneity’ of ‘non-simultaneous’ phenomena is scrutinized for Central Europe and for the cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy.Due to its specific urban profile and the geographical position, late-medieval Vienna offers an excellent starting point for the study of musical repertories in Central Europe and their appropriation as cultural practice in the first half of the fifteenth century. The ‘simultaneity’ of ‘non-simultaneous’ phenomena is closely connected to the coexistence of different patterns of music patronage within court and nobility, the university, a variety of ecclesiastical institutions (among them the collegiate church of All Saints, later St Stephen’s Cathedral), and diverse strands of upper- and middle-class citizens on the one hand, cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy on the other. Manifold strands of polyphonic and monophonic repertories (both sacred and profane), compositional techniques, regionally bound stylistic peculiarities, strategems of music patronage, institutional (or even personal) collectionism, furthermore aspects of music iconography and the role of music within the history of ideas are scrutinized in thirteen chapters, which are conceived as case-studies, plus a detailed thematical introduction. In sum, this is an invaluable contribution to a better understanding of a crucial period of late-medieval music history.Mit berühmten Repertoire-Handschriften wie dem Mensuralcodex St. Emmeram oder den Trienter Codices und der Entstehung einer musikalischen Elite um Sängerkomponisten wie Dufay und Binchois gehören die Jahrzehnte um 1430 zu einer Schlüsselphase der abendländischen Musikgeschichte. Der Band vereint 13 Fallstudien zur polyphonen Kunstmusik sowie zum einstimmigen Lied, wobei ein besonderer Fokus auf den Verhältnissen in Wien liegt. Erstmals wird so die Gleichzeitigkeit ungleichzeitiger Phänomene für Zentraleuropa beleuchtet – auch hinsichtlich der Wechselwirkungen mit England, Böhmen, Oberitalien und dem franko-flämischen Raum.Wiener musikwissenschaftliche Beiträge ;Band 26.Forschungsschwerpunkt Musik--Identität--Raum.MusicEurope, CentralHistory and criticismCongressesMusic15th centuryHistory and criticismCongressesMusic historyLate Middle Agesmusical repertoriesmusic patronageritualidentityawareness of timeTrent codicesHermann Poetzlingermensural codex St. EmmeramEnglandJohn DunstapleGuillaume DufayGilles BinchoisCentral EuropeViennaHermann EdlerawerUrbanus KungspergerJohannes BrassartJohannes de SartoFrederick III (IV) of HabsburgAlbert II (V) of HabsburgRudolf VolkhardtPetrus Wilhelmi de GrudenczBohemiaVenetomotetdevotional motetgenre transformationMarian devotionsmusical iconographychapelSangversOswald von WolkensteinHugo von MontfortMichel BeheimHeinrich der TeichnerPeter SuchenwirtMonk of SalzburgLiebhard EghenvelderNeidhart (Nithart)Austrian National LibraryUniversity of ViennaCouncil of ConstanceCouncil of BasleNibelungenliedJohannes LupiJohannes WiserJohannes PrennerRegensburgSt StephenSt MartinJan Husisorhythmic motetGhent altarpieceJan van EyckHubert van EyckMusikgeschichtePolyphonyMusicHistory and criticismMusicHistory and criticism780.9Tammen Björn Renkoauth803058Rausch Alexander1971-,Tammen Björn R.PQKBAuAdUSAUkMaJRUBOOK9910135385703321Musikalische repertoires in Zentraleuropa (1420 - 1450)3389284UNINA02407nam 2200409z- 450 991022003460332120210211(CKB)3800000000216431(oapen)https://directory.doabooks.org/handle/20.500.12854/54525(oapen)doab54525(EXLCZ)99380000000021643120202102d2016 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierNeurophysiology in Alzheimer's Disease and DementiaFrontiers Media SA20161 online resource (106 p.)Frontiers Research Topics2-88919-930-4 Alzheimer's disease (AD) and dementia are the most common neurodegenerative disorder. Since the number of individuals with AD and dementia is expected to increase considerably in the near future, reliable treatment and diagnosis are critical. EEG and neurophysiological technique could be used as a cost-effective screening tool for early detection and diagnosis in the Mild Cognitive Impairment (MCI) stage. The aim in neurophysiology research is to develop signal processing methods that improve the specificity for diagnosing dementia; we wish to discover signal features that not only significantly differ in AD patients, but also allow us to reliably separate AD patients and control subjects. This approach is valuable for clinical purposes (as diagnostic tool for dementia), and it also more fundamentally contributes to a better understanding of brain dynamics of MCI patients. Finally, the development of neurophysiological biomarker could be useful in monitoring pharmacological treatments. The main focus of this special issue will be on the most recent developments and ideas in the field of EEG and neurophysiology which will enable us to extract features that improve the specificity for diagnosing AD and dementia.NeurosciencesbicsscAlpha RhythmAlzheimer's diseaseEEGMMNNeurophysiologytheta burst stimulationTheta RhythmNeurosciencesDavide Vito Morettiauth1280382BOOK9910220034603321Neurophysiology in Alzheimer's Disease and Dementia3016854UNINA