03466nam 2200685 450 991013228060332120221206172616.03-11-042738-93-11-040210-610.2478/9783110402100(CKB)3710000000346217(SSID)ssj0001535943(PQKBManifestationID)11926712(PQKBTitleCode)TC0001535943(PQKBWorkID)11508889(PQKB)10967174(WaSeSS)IndRDA00056834(DE-B1597)445476(OCoLC)912309553(OCoLC)979838818(OCoLC)980223595(OCoLC)987945195(OCoLC)992518247(OCoLC)999354273(DE-B1597)9783110402100(MiAaPQ)EBC1787226(Au-PeEL)EBL1787226(CaPaEBR)ebr11054976(OCoLC)939262777(EXLCZ)99371000000034621720150529h20142014 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierCreativity the actor in performance /Helen Trenos; managing editor Monika MichalowiczWarsaw, [Poland] ;Berlin, [Germany] :De Gruyter Open,2014.©20141 online resource (93 pages)Bibliographic Level Mode of Issuance: Monograph3-11-040196-7 Includes bibliographical references and index.Front matter --Contents --List of CREATICS Exercises --Introduction --1 Creativity and Acting --2 What is Acting? --3 Stanislavsky: Guru and Villain --4 CREATICS: Performance-Oriented Training --References --IndexCreativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence.Creation (Literary, artistic, etc.)Creative abilityStage-acting, creativity, performing.Creation (Literary, artistic, etc.)Creative ability.153.35Trenos Helen803375Michalowicz MonikaMiAaPQMiAaPQMiAaPQBOOK9910132280603321Creativity2216474UNINA03006nam 2200553 450 991081455660332120230124191348.01-62674-068-2(CKB)2670000000570542(OCoLC)892911046(CaPaEBR)ebrary10951965(StDuBDS)EDZ0001132016(MiAaPQ)EBC1820997(MdBmJHUP)muse38119(Au-PeEL)EBL1820997(CaPaEBR)ebr10951965(CaONFJC)MIL650368(OCoLC)881592491(EXLCZ)99267000000057054220141015h20142014 uy 0engur|||||||||||rdacontentrdamediardacarrierBlack and brown planets the politics of race in science fiction /edited by Isiah Lavender, IIIJackson, Mississippi :University Press of Mississippi,2014.©20141 online resource (259 p.) 1-62846-123-3 1-322-19088-7 Includes bibliographical references and index."Black and Brown Planets embarks on a timely exploration of the American obsession with color in its look at the sometimes contrary intersections of politics and race in science fiction. The contributors explore science fiction worlds of possibility , lifting blacks, Latin Americans, and indigenous peoples out from the background of this historically white genre. This collections considers the role of race and ethnicity in our visions of the future. The first section emphasizes the political elements of black identity portrayed in science fiction from black America to the vast reaches of interstellar space. In the next section, analysis of indigenous science fiction addresses the effects of colonization, helps discard the emotional and psychological baggage carried from its impact, and recovers ancestral traditions in order to adapt in a pot-Native-apocalyptic world. Likewise, this section explores the affinity between science fiction and subjectivity in Latin American cultures from the role of science and industrialization to the effects of being in and moving between two cultures. By infusing more color into this otherwise monochrome genre, Black and Brown Planets imagines alternate racial galaxies in which people of color determine human destiny"--Provided by publisher.Science fiction, AmericanHistory and criticismRace in literatureMinorities in literatureScience fiction, AmericanHistory and criticism.Race in literature.Minorities in literature.813/.08762093529SOC022000SOC008000LIT004260bisacshLavender IsiahIII,MiAaPQMiAaPQMiAaPQBOOK9910814556603321Black and brown planets4084838UNINA