03048 am 22007573u 450 991013081710332120230621141525.0(CKB)3450000000002815(MH)010290964-4(SSID)ssj0000507575(PQKBManifestationID)12214716(PQKBTitleCode)TC0000507575(PQKBWorkID)10549193(PQKB)10037568(oapen)https://directory.doabooks.org/handle/20.500.12854/33545(EXLCZ)99345000000000281520090902d2006 uy 0engurm|#---|||||txtrdacontentcrdamediacrrdacarrierNew sounds, new stories narrativity in contemporary music /Vincent MeelbergLeiden University Press2006Amsterdam :Leiden Univ. Press,c2006.1 online resource (257 pages) music; digital file(s)LUP DissertatiesIncludes summary in Dutch.Print version: 9789087280024 Includes bibliographic references and index, pages 225 - 246.When listeners talk about their listening experiences, they often refer to music as if it were a narrative. But can music actually tell a story? Can music be narrative? Traditionally, narrativity is associated with verbal and visual texts, and the mere possibility of musical narrativity is highly debated. In this study, Vincent Meelberg demonstrates that music can indeed be narrative, and that the study of musical narrativity can be very productive. Moreover, Meelberg even makes a stronger claim by contending that contemporary music, too, can be narrative. More specifically, Meelberg suggests considering contemporary musical narratives as metanarratives, i.e. narratives that tell the story of the process of narrativization.New Sounds, New StoriesMusic20th centuryAnalysis, appreciationMusic21st centuryAnalysis, appreciationDiscourse analysis, Narrativeintermedialitymusical storymusical narrativemusiccontemporary musicmuziekmusical tensemusical comprehensionnarratologymusical textnarrativizeringatonalityfabulalinearitymetaverhalenatonal musicmetanarrativemusical narrativityConcertTimbreMusicAnalysis, appreciation.MusicAnalysis, appreciation.Discourse analysis, Narrative.Meelberg Vincent1970-,800885HMUHMUUkMaJRUBOOK9910130817103321New Sounds, New Stories1802206UNINA