01882nam0-22003851i-450-99001010908040332120161010133951.0n-n- t.um b-e- prin (3) 1638 (R)feiIT-NA0029: V Na 44feis,io ono- 6.us tufr (3) 1638 (R)IT-NA0029: V Na 44001010908FED01001010908(Aleph)001010908FED0100101090820161010d1638----km-y0itay50------balata-------------------bb0-----Didaci Couarruuias a Leyua, Toletani, ... Opera omnia [tomus primus-secundus] cum auctoris tractatu in tit. de Frigidis & maleficiatis, septem quæstionibus distincto, quibus, an matrimonium cum hoc impedimento constare possit, accuratè explicaturIam post varias editiones correctiora, & cum veteribus ac melioris notæ exemplaribus de nouo collata, & ab innumeris mendis serio expurgata. Accesserunt Ioannis Vffelii i.c. patricii Bruxellensis In variarum resolutionum libros notae vberiores ...Antuerpiaeapud Ioannem Meursium16382 v.fol.Front. del v. 1 stampato in carattere rosso e nero1.: [8], 600 p. ; 2.: [8], 540, [60] p.Segn.: *⁴ A-3D⁶ (v. 1)Segn.: *⁴ 2A-4D⁶ (v. 2)Opera omniaBelgio.AnversaCovarrubias y Leyva,Diego<1512-1577>237638Uffele,Jan : vanITUNINARICAUNIMARCAQ990010109080403321V Na 4411264FGBCFGBCDidaci Couarruuias a Leyua, Toletani, ... Opera omnia cum auctoris tractatu in tit. de Frigidis & maleficiatis, septem quæstionibus distincto, quibus, an matrimonium cum hoc impedimento constare possit, accuratè explicatur1495743UNINA03229oam 22004814a 450 991047675460332120230621135952.0(CKB)5470000000566753(OCoLC)1256540547(MdBmJHUP)muse99017(oapen)https://directory.doabooks.org/handle/20.500.12854/69464(oapen)doab69464(EXLCZ)99547000000056675320210316d2021 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierSiting FuturityThe “Feel Good” Tactical Radicalism of Contemporary Culture in and around Vienna /Susan IngramBrooklyn, NYpunctum books2021Santa Barbara :Punctum Books,2021.©2021.1 online resource1-953035-47-7 "Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles. While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.Demonstrations & protest movementsbicsscAustriabicsscTheatre studiesbicsscFilm theory & criticismbicsscElectronic books. activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, ViennaDemonstrations & protest movementsAustriaTheatre studiesFilm theory & criticismIngram Susan939909MdBmJHUPMdBmJHUPBOOK9910476754603321Siting Futurity2431591UNINA