02095nam 2200361 450 991047718500332120230223201115.010.1515/9789048515059(CKB)2550000001170071(NjHacI)992550000001170071(EXLCZ)99255000000117007120230223d2012 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierAudiences Defining and Researching Screen Entertainment Reception /Ian ChristieAmsterdam :Amsterdam University Press,2012.1 online resource (332 pages)1-306-20805-X Moving away from the recent prevalence of text-based analysis in the field of film studies, Audience tackles one of the most important issues in cinema-how the audience engages with film. Ian Christie has assembled contributions from many of the major figures in media studies, including Gregory Waller, John Sedgwick, and Martin Baker, in order to provide a wide-ranging survey of viewers' relationships with the screen. Audiences utilizes psychoanalysis and psychology, which dominated early academic examinations of film, to parse and explain modern film-viewing habits. This wide-ranging volume also takes advantage of new technology to gain access to important data on audiences, from traditional box office studies to information on digital access to movies in the home. With a particular interest in individual consumers and their motivations, this timely collection spans the spectrum of contemporary audience studies.As the film experience fragments across multiple formats, Audiences studies a broad range of viewers, andis essential reading for scholars and lovers of cinema.AudiencesFilm criticismFilm criticism.791.4301071Christie Ian704082NjHacINjHaclBOOK9910477185003321Audiences3016326UNINA00957nam0-2200349---450 99000988286040332120230404174755.0000988286FED01000988286(Aleph)000988286FED0100098828620140714d1961----km-y0itay50------baitafreIT--------001yyPsicosi e nevrosiHenri Baruktraduzione dal francese di Giuseppe Crescenzi2 ed.MilanoOfficine grafiche garzanti1961126 p.15 cmSapere tutto872001Psychoses et névroses28392NevrosiPsicosi616.8922itaBaruk,Henri181677ITUNINARICAUNIMARCBK990009882860403321DIC / BAR 10BFSBFSPsychoses et névroses28392UNINA