02411nem0-2200577---450 99000922575040332120170529103114.0000922575FED01000922575(Aleph)000922575FED0100092257520100921f196.----km-y0itay50------baitaITb-y------bl--aa-aa----a1:100000e0030000e0033000n0420000n0414000a1:100000e0301000e0305000n0420800n0420600a1:100000e0317000e0319000n0421400n0421300ad--a-----S. Marco in LàmisDocumento cartograficoIsole TrèmitiIsola PianosaIstituto geografico militare5. ed.1:100000 ; proiezione conforme universale trasversa di Mercatore (E3°00'-E3°30'/N42°00'-N41°40')1:100000 ; proiezione conforme universale trasversa di Mercatore (E3°01'-E3°05'/N42°08'-N42°06')1:100000 ; proiezione conforme universale trasversa di Mercatore (E3°17'-E3°19'/N42°14'-N42°13')FirenzeIGMI[196.]3 carte in un 1 fogliocolor.44 x 40, 8 x 6, 6 x 4 cm su foglio 61 x 51 cmCarta topografica d'ItaliaSerie 100Serie M 691156Aggiornamento al 1957Il meridiano di riferimento è Monte Mario, RomaIn un esemplare la rappresentazione dell'orografia è a sfumo, presenta in testa al front.: per uso militare, sul retro timbro IGM: Declassificato; nell'altro esemplare l'orografia è a curve di livelloSan Marco in LamisLago di VaranoSan Giovanni RotondoRodi GarganicoLago di LesinaFoglio 156PugliaCarteIstituto geografico militare5005ITUNINARICAUNIMARCMP990009225750403321MP Cass.1 100 (156)B.F.L.F. 5506ILFGEMP Cass.1 100 (156)aIst. 3653ILFGECons.3 Atl.1 Carte sciolte 13(156)B.F.L.F. 5506ILFGECons.3 Atl.1 Carte sciolte 13(156)bisB.F.L.F. 5506ILFGEILFGEIsola Pianosa768201Isole Trèmiti768009S. Marco in Lamis768005UNINA03675nam 2200781Ia 450 991109205720332120251201165145.00-19-802437-197866105267961-4294-0641-01-280-52679-31-280-53503-297866105350330-19-510975-92027/heb06332(CKB)2560000000296412(EBL)273151(OCoLC)466431378(SSID)ssj0000225316(PQKBManifestationID)12044709(PQKBTitleCode)TC0000225316(PQKBWorkID)10230154(PQKB)10480278(SSID)ssj0000306597(PQKBManifestationID)11226550(PQKBTitleCode)TC0000306597(PQKBWorkID)10298175(PQKB)11499200(StDuBDS)EDZ0000034515(Au-PeEL)EBL273151(CaPaEBR)ebr10278036(CaONFJC)MIL52679(dli)HEB06332(MiU)MIU01000000000000012846707(FINmELB)ELB168868(MiAaPQ)EBC273151(EXLCZ)99256000000029641219940103d1995 uy 0engur|n|---|||||txtccrThe power of Black music interpreting its history from Africa to the United States /Samuel A. Floyd, Jr1st ed.New York Oxford University Pressc19951 online resource (421 p.)Description based upon print version of record.0-19-508235-4 0-19-985324-X Includes bibliographical references (p. 279-295), discography (p. 297-304), filmography (p. 305), and index.Cover Page; Title Page; Copyright Page; Dedication; Contents; Introduction; 1: African Music, Religion, and Narrative; 2: Transformations; 3: Syncretization and Synthesis: Folk and Written Traditions; 4: African-American Modernism, Signifyin(g), and Black Music; 5: The Negro Renaissance: Harlem and Chicago Flowerings; 6: Transitions: Function and Difference in Myth and Ritual; 7: Continuity and Discontinuity: The Fifties; 8: The Sixties and After; 9: Troping the Blues: From Spirituals to the Concert Hall; 10: The Object of Call-Response: The Signifyin(g) Symbol11: Implications and ConclusionsAppendix; Printed Works Cited; Sound Recordings Cited; Films and Videotapes Cited; Index; FootnotesWhen Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of ""The Star Spangled Banner,"" he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues traditionbefore him. But in its unforgettable introduction, followed by his unaccompanied ""talking"" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a traditionrooted inAfrican AmericansMusicHistory and criticismMusicUnited StatesHistory and criticismAfrican AmericansMusicHistory and criticism.MusicHistory and criticism.780.8996073781.6296073Floyd Samuel A628646MiAaPQMiAaPQMiAaPQBOOK9911092057203321The power of Black music2117901UNINA