03842cam1-2200553---450 99000831097040332120190719090750.0000831097FED01000831097(Aleph)000831097FED0100083109720060411g18271829km-y0itay50------baitagerIT----j---e--------lg-bb------g--a-bb-IT-Na420-Rari-Geogr.-M-03(020-026)-----------------------------------------Viaggio al Messico, alla Nuova Granata ed al Perù, ossia Saggio politico sul regno della Nuova Spagna del signor Alessandro De Humboldt, volgarizzamento fatto per cura del professore emerito Gaetano Barbieri. Adorno della grande Carta geografica della Nuova-Spagna. Tomo I. [-VII ed ultimo]Milanopresso l'editore Lorenzo Sonzogno Libraio sulla Corsia de' Servi n. 602coi tipi di Gio. Pirotta1827-18297 v.ill.12°Raccolta de' viaggipiù interessanti eseguiti nelle varie parti del mondo, tanto per terra quanto per mare, dopo quelli del celebre Cook0068006900700071007200670073Il nome del tipografo dal verso del front.1.: VII, 299, [1] p. ; 2.: [4], 256 p., 1 c. topogr. rip. ; 3.: 273, [3] p. ; 4.: 283, [1] p. ; 5.: 287, [1] p., [1] c. di tav., [1] c. geogr. rip. ; 6.: 287, [1] p., [1] c. di tav. rip. ; 7.: 208, VIII p.IT-Na0420 M-03-(020-026)Sui front. dei singoli v. timbro: Gabinetto di Geografia della R. Università, NapoliAmericaViaggi e viaggiatoriItalia.MilanoHumboldt,Alexander von<1769-1859>87184Barbieri,Gaetano<ca. 1770-1835>Sonzogno,Lorenzo650Pirotta,Giovanni610ITUNINARICAUNIMARCVisualizza versione elettronica del v. 1 c/o BNNAhttps://books.google.it/books?id=tMTzwkEKLt4C&printsec=frontcover&hl=it#v=onepage&q&f=false20170306Visualizza versione elettronica del v. 2 c/o BNNAhttps://books.google.it/books?id=JVlk6ptENfUC&printsec=frontcover&hl=it&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false20170306Visualizza versione elettronica del v. 3 c/o BNNAhttps://books.google.it/books?id=ESzl-9LLuIoC&printsec=frontcover&hl=it#v=onepage&q&f=false20170306Visualizza versione elettronica del v. 4 c/o BNNAhttps://books.google.it/books?id=BXsRoWyWghYC&printsec=frontcover&hl=it#v=onepage&q&f=false20170306Visualizza versione elettronica del v. 5 c/o BNNAhttps://books.google.it/books?id=ndfCkyjnO3oC&printsec=frontcover&hl=it#v=onepage&q&f=false20170306Visualizza versione elettronica c/o del v.6 c/o BNNAhttps://books.google.it/books?id=QCFemlrWJKQC&printsec=frontcover&hl=it#v=onepage&q&f=false20170306Visualizza versione elettronica del v. 7 c/o BNNAhttps://books.google.it/books?id=5IRfQ48KS7EC&printsec=frontcover&hl=it#v=onepage&q&f=false20170306AQ990008310970403321Rari Geogr. M-03-020Ist. 1524ILFGERari Geogr. M-03-021Ist. 1524ILFGERari Geogr. M-03-022Ist. 1524ILFGERari Geogr. M-03-023Ist. 1524ILFGERari Geogr. M-03-024Ist. 1524ILFGERari Geogr. M-03-025Ist. 1524ILFGERari Geogr. M-03-026Ist. 1524ILFGEILFGEViaggio al Messico, alla Nuova Granata ed al Perù, ossia Saggio politico sul regno della Nuova Spagna del signor Alessandro De Humboldt, volgarizzamento fatto per cura del professore emerito Gaetano Barbieri. Adorno della grande Carta geografica della Nuova-Spagna. Tomo I.1557785UNINA10877nam 2200541 450 99654035270331620221211141038.03-7489-3401-7(MiAaPQ)EBC6998742(Au-PeEL)EBL6998742(CKB)22893535700041(EXLCZ)992289353570004120221211d2022 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierDigital ethics the issue of images /Thomas Dreier and Tiziana Andina, editorsFirst edition.Baden-Baden, Germany :Nomos Verlagsgesellschaft,[2022]©20221 online resource (426 pages)Bild und Recht - Studien zur Regulierung des Visuellen ;Volume 11Print version: Dreier, Thomas Digital Ethics Baden-Baden : Nomos Verlagsgesellschaft,c2022 9783848788415 Cover -- Part 1 From Drawings to Deep Fakes - Some Introductory Remarks -- Chapter 1 Images, Technology, Ethics and Law - An Intricate Relationship -- I. Digital Ethics - The Issue of Images: An Introduction -- 1. Defining the issue -- a) What is to be understood by digital image ethics? -- b) Changes brought about by digital and networking technologies -- 2. Issues of digital image ethics -- a) Practical level -- b) Semantical level -- 3. Method and aim of the book -- a) Questions to be asked -- b) Consequential ethics -- 4. Law and ethics -- II. The Contributions of This Book -- 1. Transalpine considerations -- 2. The parts of this book -- 3. The contributions in detail -- a) The ethical framework -- b) Images, art and society -- c) Binary encoding and artificial intelligence: The dissolution of the visual object -- d) Technology, ethics and legal norms -- e) Ethics and fundamental rights -- References -- Chapter 2 From Goethe's Italian Journey to Transalpine Online Navigation - Narrative Changes and Transnational Stereotypes -- I. Preface -- II. "Travelling" as a Medium of Communication and Discovery -- III. Letters, Circulars, and Broadcast Chains -- IV. How We Participate in Foreign Life -- V. The Power of the "Image" -- VI. Conclusion -- References -- Part 2 Ethical Foundations -- Chapter 3 Digital Image Ethics - How it Could be Pursued and What It Might Have to Say -- I. Introduction -- II. Digital Ethics Today: A Snapshot -- III. Ethics: Challenged by Both a Problem of Justification and a Problem of Application -- 1. The problem of justification -- 2. The problem of application -- IV. The Possibility of Applied Ethics -- 1. The need for applied ethics -- 2. Applied ethics is different from everyday moral judging -- 3. The "seat in life" of applied ethics -- V. The Task of Digital Image Ethics.VI. What Digital Image Ethics Might Have to Say: Three Examples -- 1. The Principle of Unconditionally Permissible Use of all Vocabulary of a Visual Language -- 2. The Principle of the Legitimacy of Taking Photographs in Museums -- 3. The Principle of Prohibiting Deception by Manipulated Photographs -- References -- Chapter 4 Form and Norm in Pictures -- References -- Part 3 Images, Art and Society -- Chapter 5 Who Cares About Privacy? - The Documedia Surplus Value -- I. Prologue: The Virus and the Web -- II. Privacy, Post-Truth, and Documedia Surplus Value -- III. From the Superstructure to the Structure -- 1. Quantity: big data -- 2. Quality: rich data -- 3. Relation: secret data -- 4. Modality: real data -- 5. The unfair exchange -- IV. Epilogue: Objections and Answers -- References -- Chapter 6 Immersive Artistic Forms - What They Are and How to Identify Them -- I. Introduction -- II. Technology -- 1. Knowledge -- a) Planning -- b) Processing -- 2. Practices -- a) Dispositions -- b) Reality -- III. Metaphysics -- 1. Structures -- a) Forms -- b) Hybridizations -- 2. Immersivity -- a) Interaction -- b) Identification Criteria -- IV. Conclusion -- References -- Chapter 7 From Works to Living Means of Communication - The Digital Image and the 'Iconic Turn' -- I. The Democratization of the Image Tools -- II. From Analogue Images to Forms of Orality -- III. Aby Warburg's "Pathosformeln" -- IV. Selfies and Emojis -- V. The Vivification of the Images: Memes -- VI. The Application of Social Media Tools to Classical Artworks -- VII. ...and The Future? - Consequences for Authorship and Copyright -- References -- Chapter 8 Fairness Aspects of Techniques of Referencing Cultures -- I. Referencing as a Cultural Phenomenon -- II. The Importance of Referencing Cultures -- 1. Historical use of referencing and appropriation -- 2. Appropriation art.3. Referencing as a medium of communication -- III. Under German Copyright Law -- 1. Consent pursuant to 23 (1) sentence 2 UrhG -- 2. Citation according to 51 UrhG -- 3. Caricature or parody according to 51a UrhG -- 4. Pastiche according to 51a UrhG -- a) A broad understanding of pastiche in the Explanatory Memorandum to the German Act implementing the DSM-Directive -- b) A narrow understanding of pastiche -- c) Pastiche does not achieve a systemic change -- V. Concluding Remarks -- References -- Chapter 9 Towards a New Ethic: Building Transgenerationality - Digital Images to Orient the Future -- I. Digital Images -- II. The Transgenerational Bond -- III. Transgenerational Actions -- IV. Transgenerational Images -- References -- Chapter 10 Iconoclasm and Iconoclash - The Digital Restoration of the Movement-Image -- I. Iconoclasm as a Means of Innovation and Reappraisal -- II. Iconoclasm and Iconoclash -- III. Digital Preservation and Restoration -- IV. Provisional Conclusion -- References -- Part 4 Binary Encoding, Artificial Intelligence and the Dissolution of the Visual Object -- Chapter 11 Semioethics of the Visual Fake -- I. The Intimate Nature of the Visual Fake -- II. The Visual Fake, Technology, and Evolution -- III. Conventionality and Motivation in the Technology of the Visual Fake -- IV. The Third Way of Semiotics -- V. Semiotics as Discipline of the Fake -- VI. The Background of Reflection: Advances and Lacunae -- VII. The Tasks Ahead for a Semioethics of the Visual Fake -- VIII. Conclusions: On Fakes and Viruses -- References -- Chapter 12 From Copy &amp -- Paste to Deep Fakes - Digital Collaging and Image Manipulation -- I. Introduction -- II. From Copy &amp -- Paste to Deep Fakes - The Origins of Image Manipulation -- 1. A brief history of image manipulation -- a) Starting point: art forgery.b) Making history with fake photographs -- c) "Face swap" as preliminary stage -- 2. The Technology behind: deep fake algorithms -- a) Deep learning -- b) Autoencoder -- c) Generative adversarial network -- 3. The power of images: why images are more than simple information media -- III. Deceptions Through Image Manipulation in the Information Age -- 1. State of the art: what AI is already capable of -- 2. Deep learning technology and its consequences -- a) Consequences for the individual as a social being -- b) Potentially affected rights -- c) Indirect consequences: disinformation -- 3. Regulating the consequences: possible solutions for this problem -- a) Legal mechanisms -- b) Technical solutions -- c) Social measures -- d) Combination -- IV. Conclusion -- References -- Chapter 13 The Multi-Layered Information in a Digital Image -- I. Semantic Information -- II. Syntactic Information -- III. Structural Information -- IV. Context of Creation -- V. Conclusion -- References: -- Chapter 14 Portrait or Personal Data - The Rivalry of Image and Data Protection Legislation -- I. Introduction -- II. The Collision of Regulatory Regimes in German Law -- 1. The codification of the right to one's own image in the KUG: an overview -- 2. Images in the scope of European data protection law -- III. The Relationship Between the GDPR and the KUG -- 1. Opening clauses in the GDPR -- 2. The KUG and the opening clauses of the GDPR -- a) Journalistic and artistic purposes -- b) Other purposes -- c) Opening clauses and already existing laws -- 3. The (legal) discrepancy between capturing images and their publication -- IV. Concluding Remarks: The Future of Image Protection Law -- References -- Chapter 15 Human Authorship and Art Created by Artificial Intelligence - Where Do We Stand? -- I. Introductory Note -- II. A New Agenda for Copyright Laws.III. AI-Generated Art and Creativity -- IV. AI-Made Art and the Law -- V. AI-Made Art and the Art World -- VI. Concluding Remarks -- References -- Part 5 Technology, Ethics and Legal Norms -- Chapter 16 A Face in the Cloud? - Identifying Moral Issues and Constraints in Cloud-Based Image Storage -- I. Digitization in Economic Transactions -- II. 'Servitization' and Cloud-Based Image Storage -- III. Seeking Moral and Practical Continuity -- IV. Moral Constraints on Cloud-Based Image Storage -- 1. Accumulating -- 2. Accessing -- 3. Curating -- 4. Deleting -- V. Conclusions -- References -- Chapter 17 The Deontic Power of the Internet - Access Controls and the Obsolescence of Legal Norms -- I. What It's All About and what Consequences Does it Entail? -- II. Voluntary Application of Technical Measures Restricting Legal Freedoms Supported by Anti-Circumvention Legislation -- 1. From public goods to technical protection measures -- 2. Technical protection measures and copyright exceptions and limitations -- a) Legislative solutions -- b) Reactions of the courts -- c) Additional issues described in legal literature -- 3. Some thoughts for discussion -- a) Is there really a problem? -- b) Advantages of technological restrictions -- III. Mandatory Decision-Making Power by Private Parties -- 1. Case scenarios -- 2. Structural issues -- 3. Ethical considerations -- IV. Concluding Remarks -- References -- Chapter 18 Algorithmic Censorship of Online Visual Content - Ethical, Political, and Economic Rationales -- I. Introduction -- II. Censorship -- III. Reasons for Censorship -- IV. Algorithmic Judgment and the Pragmatics of Pictorial Speech Acts -- References -- Chapter 19 The Issue of the Image of Algorithms -- I. The Need for Regulating Algorithms -- 1. Fear of algorithms and technology -- 2. Improvements through regulation -- 3. Present impact of algorithms.II. Some Remarks Concerning Terminology.Bild und Recht - Studien zur Regulierung des VisuellenIntellectual propertyDigital imagesLawIntellectual property.Digital images.Law.340Dreier ThomasAndina TizianaMiAaPQMiAaPQMiAaPQBOOK996540352703316Digital ethics3401749UNISA