00995cam0-22003251i-450-99000735115040332120061011145049.00-521-63769-40-521-4820-70000735115FED01000735115(Aleph)000735115FED0100073511520021021d1996----km-y0itay50------baengGBa-------001yyNew approaches to macroeconomic modelingevolutionary stochastic dynamics, multiple equilibria, and externalities as field effectsMasanao AokiCambridgeCambridge University Press1996XV, 288 p.ill.24 cmAoki,Masanao<1931- >54078ITUNINARICAUNIMARCBK990007351150403321XV G1 286318DTEE01.456838DECTSDTEDECTSNew approaches to macroeconomic modeling694593UNINA03365nam 2200397 450 991059788870332120230517161100.010.5040/9781839022760(CKB)5850000000084285(NjHacI)995850000000084285(EXLCZ)99585000000008428520230517d2021 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierScreen industries in East-central Europe /Petr SzczepanikLondon ;New York :Bloomsbury Publishing UK,2021.1 online resource (xiii, 289 page) illustrationsInternational screen industries1-83902-274-4 Includes bibliographical references and index.Introduction: East-central European media as digital peripheries -- Post-socialist producer: the production culture of a small and peripheral media industry -- Managing the 'Ida effect': an art-house producer breaking out of the periphery -- The service producer and the globalization of media production -- Breaking through the East European ceiling: minority co-production and the new symbolic economy of small-market cinemas -- Public service television as a producer -- HBO Europe's original programming in the era of streaming wars -- Digital producers: short-form web television positions itself between clickbait and public service -- Conclusion: 'Hi circumscription' in the era of global streamers, and more questions to be asked."This book is available as open access through the Bloomsbury Open programme and is available on www.bloomsburycollections.com. Petr Szczepanik provides an in-depth study of the history and contemporary landscape of screen media industries in the Czech Republic, Slovakia, Poland and Hungary. Drawing on first-hand research in the world of the various producers who operate in the "digital peripheries" of Central and Eastern European, he offers broad insights into the ways the screen industries of small nations are positioned in and respond to globalization and digitalization. Szczepanik's shows how film, television, and online video are industries with still distinct structures and professional cultures, but which have nevertheless been converging, affected by the same globalizing forces such as transnational video on demand services and platforms, and whose producers move across inter-industry boundaries with increasing ease. The book explores small media markets through attention to the role of producers as key cultural mediators, looking closely at how their agency is circumscribed by the limited scope and peripheral positioning of the markets in which they operate, and how they struggle to overcome these obstacles through their professional identities, business models, and adaptations to technological change and transnational competition"-- Provided by publisher.International screen industries.Mass mediaTechnological innovationsMass mediaTechnological innovations.302.23Szczepanik Petr1346198NjHacINjHaclBOOK9910597888703321Screen Industries in East-Central Europe3072831UNINA03984 am 2200805 n 450 991056819800332120211203979-1-03-510769-710.4000/books.psorbonne.104732(CKB)4100000012875425(FrMaCLE)OB-psorbonne-104732(oapen)https://directory.doabooks.org/handle/20.500.12854/85867(PPN)267971826(EXLCZ)99410000001287542520220517j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierParis et ses peuples au xviiie siècle /Pascal Bastien, Simon MacdonaldParis Éditions de la Sorbonne20211 online resource (304 p.)Histoire moderne979-1-03-510531-0 Communauté habile et ingénieuse, multitude licencieuse, naïve et bornée, foule dangereuse et subversive : aux yeux de ses commentateurs, le peuple de Paris semble soutenir toutes les contradictions. À la fois pluriel et singulier, il constitue une masse aux contours informes, aussi indomptable pour l’administrateur du xviiie siècle qu’insaisissable pour l’observateur du xxie siècle qui, avec la prudente distance du recul historique, chercherait à en tracer le profil. Paris et ses peuples fait écho à l’ouvrage programmatique de Daniel Roche qui annonçait, en 1981, un important renouvellement de l’histoire socioculturelle sur la capitale. En recentrant l’analyse sur les gestes quotidiens et les maux ordinaires de ses classes laborieuses, l’auteur du Peuple de Paris inaugurait un chantier aux multiples avenues, invitant un foisonnement historiographique dont ce livre se fait en partie témoin. À travers dix-huit nouvelles perspectives, celui-ci propose de croiser les regards sur l’espace parisien pour appréhender la diversité de ses acteurs, l’enchevêtrement de ses réseaux de sociabilités, et les discours antagonistes qui le représentent et l’encadrent. Sur les terrains du travail, de la consommation, des régulations sociales, du voisinage, des circulations urbaines ou des mobilisations politiques, la relation entre Paris et ses peuples fournit le cadre de ruptures et de continuités historiques qui traversent l’Ancien Régime et la Révolution.DemographyParispopulationconditions socialesXVIIIe sièclemoeurs et coutumesParispopulationconditions socialesXVIIIe sièclemoeurs et coutumesDemographyParispopulationconditions socialesXVIIIe sièclemoeurs et coutumesBastien Pascal1364071Burstin Haim133866Carbonnier Youri1280562Coquery Natacha1280563Croq Laurence1246815Cuvelier Laurent1280564Denis Vincent327688Doyon Julie1280565Garrioch David615520Jones Colin43303Juratic Sabine163815Lafrance Geneviève1280566Lilti Antoine696656Lüsebrink Hans-Jürgen413485Lyon-Caen Nicolas1280567Macdonald Simon1280568Milliot Vincent1280569Plumauzille Clyde1280570Synowiecki Jan1280571Van Damme Stéphane1280572Bastien Pascal1364071Macdonald Simon1280568FR-FrMaCLEBOOK9910568198003321Paris et ses peuples au xviiie siècle3388245UNINA