00814nam0-22002891i-450-99000597098040332120050215143804.0000597098FED01000597098(Aleph)000597098FED0100059709820000112d1899----km-u0itay50------bagerDEy---n---001yyVertretung beim FahrniserwerbFranz LeonhardLeipzigDieterich'sche Verlagsbuchhandlung Theodor Weicher1899VI, 116 p.22 cm346.07Leonhard,Franz404282ITUNINARICAUNIMARCBK990005970980403321Bibl. Solazzi VIII 9264364FGBCFGBCVertretung beim Fahrniserwerb582557UNINA01258nam2-2200349---450-99000169859020331620050810104240.0000169859USA01000169859(ALEPH)000169859USA0100016985920040526d1974----km-y0itay0103----bagerDE||||||||001yy<<Bd. 4.>> : Dramen. 1, Pastor Ephraim Magnus ; Hans Heinrich ; Die Kronung Richards 3. ; Der Artzt, sein Weib, sein Sohn ; Der gestohlene Gott ; MedeaHans Henny JahnnHamburgHoffmann und Campe1974528 p.18 cm200120010010001698372001Werke und Tagebucher in sieben BandenJAHNN,Hans Henny467771ITsalbcISBD990001698590203316VII.2.A. 689/4(II t A 759/4)59233 L.M.IIt ABKUMASIAV51020040526USA011058COPAT69020050810USA011042COPAT69020050810USA011042Dramen. 1, Pastor Ephraim Magnus ; Hans Heinrich ; Die Kronung Richards 3. ; Der Artzt, sein Weib, sein Sohn ; Der gestohlene Gott ; Medea948404UNISA00722cac0 22002051 450 SOBE0002148320151230162924.020120113f0000 |||||ita|0103 baUSb <<The >>new historicismBerkeley [etc.]University of California pressITUNISOB20151230RICASOBE00021483C 121 Collana SBNCNew historicism1335316UNISOB001SOBE000214812001 <<An >>Empire NowhereEngland, America, and literature from Utopia to The tempest001SOBE000506132001 <<The >>mirror of Herodotusthe representation of the other in the writing of history04156nam 2200853 a 450 991096301240332120250428135125.097805110362860511036280978110712806411071280649780511040283051104028897805111485380511148534978051155618005115561879780511606458051160645197805110515170511051514(CKB)1000000000001837(EBL)202033(OCoLC)475916547(SSID)ssj0000132317(PQKBManifestationID)11136444(PQKBTitleCode)TC0000132317(PQKBWorkID)10038530(PQKB)10047814(UkCbUP)CR9780511606458(Au-PeEL)EBL202033(CaPaEBR)ebr10030923(CaONFJC)MIL238928(MiAaPQ)EBC202033(EXLCZ)99100000000000183720011113d2002 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierCrime films /Thomas Leitch1st ed.Cambridge ;New York Cambridge University Press2002384p 79ill. ;228cmGenres in American cinemaGenres in American cinemaTitle from publisher's bibliographic system (viewed on 05 Oct 2015).9780521646710 0521646715 9780521641067 0521641063 Filmography: p. 341-357.Includes bibliographical references (p. 331-339) and index.Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Illustrations; Acknowledgments; 1 The Problem of the Crime Film; 2 Historical and Cultural Overview; 3 Critical Overview; 4 Fury and the Victim Film; 5 The Godfather and the Gangster Film; 6 Double Indemnity and the Film Noir; 7 Basic Instinct and the Erotic Thriller; 8 Murder on the Orient Express, Blue Velvet, and the Unofficial-Detective Film; 9 Chinatown and the Private-Eye Film; 10 Bullitt and the Police Film; 11 Reversal of Fortune and the Lawyer Film; 12 Fargo and the Crime Comedy13 Conclusion: What Good Are Crime Films? Notes; Selected Bibliography; Filmography/Videography; IndexThis book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.Genres in American cinema.Detective and mystery filmsUnited StatesHistory and criticismGangster filmsUnited StatesHistory and criticismPolice filmsUnited StatesHistory and criticismElectronic books.lcshDetective and mystery filmsHistory and criticism.Gangster filmsHistory and criticism.Police filmsHistory and criticism.791.43/655Leitch Thomas M681886MiAaPQMiAaPQMiAaPQBOOK9910963012403321Crime films4352751UNINA