00709nam0-22002771i-450-99000073392040332120001010000073392FED01000073392(Aleph)000073392FED0100007339220001010d--------km-y0itay50------baitay-------001yy<<L'>>art decoratif RusseParisVincent Frèal & C.ie192838 p.24 cmLoukomski,G.K.36879ITUNINARICAUNIMARCBK990000733920403321ART.FI B 30891FARBCFARBCArt decoratif Russe322797UNINAING0100844nam0-22003011i-450-99000593080040332119980601000593080FED01000593080(Aleph)000593080FED0100059308019980601d1836----km-y0itay50------ba--------00-yyThèorie des lois criminellesBRISSOT DE WARVILLENouv. èd. revue, rectifiècetParisDe J. P. Aillaud1836VI, 372 p.22 cmTOME 1.345Brissot de Warville, Jacques-Pierre<1754-1793>181570ITUNINARICAUNIMARCBK990005930800403321XII F 314589FGBCFGBCThèorie des lois criminelles586742UNINAGIU0102707nam 2200721 a 450 991095477170332120240313162727.0978661306368797812830636851283063689978996602809999660280999789966028082996602808097899660280759966028072(CKB)2550000000032558(EBL)1135233(OCoLC)830165577(SSID)ssj0000537091(PQKBManifestationID)11307956(PQKBTitleCode)TC0000537091(PQKBWorkID)10550697(PQKB)11346154(OCoLC)778448044(MdBmJHUP)muse21857(Au-PeEL)EBL1135233(CaPaEBR)ebr10463118(MiAaPQ)EBC1135233(PPN)187340145(FR-PaCSA)88825333(FRCYB88825333)88825333(EXLCZ)99255000000003255820081125d2008 uy 0engur|n|---|||||txtccrGetting heard (re)claiming performance space in Kenya /edited by Kimani Njogu1st ed.Nairobi Twaweza Communications20081 online resource (202 p.)Art, culture & society ;v. 3Description based upon print version of record.9789966724434 9966724435 Includes bibliographical references.Front Cover; Title Page; Copyright Page; Table of Contents; Chapter One; Back CoverGetting Heard: (Re)claiming Performance Space is the third in a series of publications on art, culture and society released by Twaweza Communications. The aim is to bring to the fore conversations taking place in Kenya about identity, creativity, nationalism and the generation of knowledge. The series is also about the pursuit of freedom through arts, media and culture. In Getting Heard the performance space is shown to offer wider possibilities for knowledge creation. It shows that in post-colonial Africa political leaders have consistently performed over their subjects at local and national Art, culture & society series ;v. 3.Performing artsKenyaLanguage and cultureKenyaPerforming artsLanguage and cultureNjogu Kimani1096185MiAaPQMiAaPQMiAaPQBOOK9910954771703321Getting heard4340921UNINA