00879nam0-22003251i-450-9900032613504033212000101019-561163-2000326135FED01000326135(Aleph)000326135FED0100032613520000920d1982----km-y0itay50------baitay-------001yy<<The >>SPATIAL GEOGRAPHY OF RURAL ECONOMIES1OxfordOxford University Press1982pp.286Monografie e Saggi : Economie Rurali047.002Whyte,Robert Orr<1903- >129817ITUNINARICAUNIMARCBK990003261350403321047.002.WHY3394DECGEDECGESPATIAL GEOGRAPHY OF RURAL ECONOMIES450911UNINAING0102015nam 2200517 450 991015551470332120230803035314.01-304-73955-4(CKB)3710000000216922(EBL)1671216(SSID)ssj0001468651(PQKBManifestationID)11827814(PQKBTitleCode)TC0001468651(PQKBWorkID)11525763(PQKB)11225734(MiAaPQ)EBC1671216(EXLCZ)99371000000021692220140905h20132013 uy| 1engur|n|---|||||txtccrThe "genius" /Theodore DreiserNew York, New York :Sheba Blake Publishing,[2013]©20131 online resource (2428 p.)Description based upon print version of record.""CHAPTER XII"" Theodore Dreiser heavily invested himself in The Genius, an autobiographical novel first published in 1915. Thoroughly immersed in the turn-of-the-century art scene, The Genius explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. It was not released until 1923, and thereafter the episode confirmed Dreiser's status as a writer ahead of his time. Victorian societyFictionArtistsRelations with womenPsychological fictionArtFictionVictorian societyArtistsRelations with women.Psychological fiction.ArtDreiser Theodore131608MiAaPQMiAaPQMiAaPQBOOK9910155514703321The "genius"2679974UNINA02634oam 22005534a 450 991040414630332120250705110027.097816431501611643150162https://doi.org/10.3998/mpub.11676127(CKB)4100000011271616(OCoLC)1142816085(MdBmJHUP)muse86383(oapen)https://directory.doabooks.org/handle/20.500.12854/32534(ScCtBLL)d2d12a32-23b2-4073-afc0-e7bd8958f256(ODN)ODN0010989510(oapen)doab32534(EXLCZ)99410000001127161620191107d2020 uy 0engur|||||||nn|ntxtrdacontentcrdamediacrrdacarrierVinyl TheoryJeffrey R. Di LeoLever Press2020Amherst :Lever Press,2020.©2020.1 online resourceTitle from eBook information screen..9781643150154 1643150154 1.Late capitalism on vinyl --2.The curve of the needle --3.It might get loud --4.Selling out."Why are vinyl records making a comeback? How is their resurgence connected to the political economy of music? Vinyl Theory responds to these and other questions by exploring the intersection of vinyl records with critical theory. In the process, it asks how the political economy of music might be connected with the philosophy of the record. The young critical theorist and composer Theodor Adorno's work on the philosophy of the record and the political economy of music of the contemporary French public intellectual, Jacques Attali, are brought together with the work of other theorists to in order to understand the fall and resurrection of vinyl records. The major argument of Vinyl Theory is that the very existence of vinyl records may be central to understanding the resiliency of neoliberalism. This argument is made by examining the work of Adorno, Attali, Friedrich Nietzsche, and others on music through the lens of Michel Foucault's biopolitics"--Provided by publisher.MusicbicsscPolitical economybicsscpolitical economymusicMusicPolitical economy306.4842MUS054000PHI000000bisacshDi Leo Jeffrey R.893323MdBmJHUPMdBmJHUPBOOK9910404146303321Vinyl Theory2431463UNINA