00783nam0-22002891i-450 99000174560040332120190529131341.0000174560FED01000174560(Aleph)000174560FED0100017456020030910d1942----km-y0itay50------baporPT<<A >>horta familiarCarlos Rebelo Marques De AlmeidaLisboaMinisterio da Agricoltura194266 p.22 cmOrticoltura635Rebelo Marques de Almeida,Carlos355778ITUNINARICAUNIMARCLG99000174560040332160 OP. 42/4033930FAGBCFAGBCHorta familiar365904UNINA03117nam 2200661 450 991045346120332120200520144314.00-7391-6674-3(CKB)2550000001250618(EBL)1921136(SSID)ssj0001184662(PQKBManifestationID)12512977(PQKBTitleCode)TC0001184662(PQKBWorkID)11195800(PQKB)10779136(MiAaPQ)EBC1921136(Au-PeEL)EBL1921136(CaPaEBR)ebr10854227(CaONFJC)MIL585127(OCoLC)878146440(EXLCZ)99255000000125061820140408h20122012 uy 0engurcnu||||||||txtccrJazz griots music as history in the 1960s African American poem /Jean-Philippe MarcouxLanham, Maryland :Lexington Books,2012.©20121 online resource (244 p.)Description based upon print version of record.0-7391-6673-5 1-306-53876-9 Includes bibliographical references and index.JAZZ GRIOTS; Contents; Acknowledgments; Introduction Intravernacular Dialogues, Jazz Performativity, and the Griot's Meta-linguistic Praxes ; Chapter 1 The Sound of Grammar: Blues and Jazz as Meta-languages of Storytelling in Langston Hughes's Ask Your Mama; Chapter 2 Move On Up: Free Jazz and Rhythm and Blues Performativities as Creative Acts of Cultural Re-inscription in David Henderson's De Mayor of Harlem; Chapter 3 Sister in the Struggle: Jazz Linguistics and the Feminized Quest for a Communicative ""Sound"" in Sonia Sanchez's Home Coming and We A BaddDDD PeopleChapter 4 Birth of a Free Jazz Nation: Amiri Baraka's Jazz Historiography from Black Magic to Wise Why's Y's Coda; Bibliography; IndexTo the endless questions, theoretical statements, and hypotheses about how Black poets transcribe jazz into the poetic format, this book, while providing a different approach to reading jazz poetry, attempts to answer the question, why do Black poets revert to jazz for poetic material. This book's answer is because jazz is Black History ritualized and performed, and jazz performance is storytelling.American poetryAfrican American authorsHistory and criticismJazz in literatureGriotsAfrican AmericansIntellectual life20th centuryEnglish languageRhythmElectronic books.American poetryAfrican American authorsHistory and criticism.Jazz in literature.Griots.African AmericansIntellectual lifeEnglish languageRhythm.811/.509357Marcoux Jean-Philippe1977-919790MiAaPQMiAaPQMiAaPQBOOK9910453461203321Jazz griots2063126UNINA01429cam0 22002891 450 SOBE0007820020231128100223.020231128d1974 |||||ita|0103 baitaIT<<Il >>CanzoniereFrancesco Petrarcacon le note critiche di Giacomo LeopardiNapoliMarotta[1974]509 p., [70] carte di tav.ill.32 cmEd. di 500 esemplari numerati con cifre romane I-D e 1000 esemplari numerati con cifre arabe 1-1000, realizzata per il Comune di Arezzo in occasione del sesto centenario della morte di PetrarcaNell'occhietto: 1374-1974 omaggio a Francesco Petrarca, Comune di ArezzoCanzoniereSOBA0001734120678Petrarca, Francesco <1304-1374>AF00014891070292779Leopardi, Giacomo <1798-1837>AF00006808212ITUNISOB20231128RICAUNISOBUNISOBGF179183SOBE00078200M 102 Monografia moderna SBNMFondo|LeopardianoGF000024CON17918320230324FondoLeopardianodonoNmenleUNISOBUNISOB20231128095558.020231128100223.0menleNel foglio di guardia dedica manoscritta di Luigi Regina a Nicola Ruggiero; Per le modalità di consultazione vedi homepage della Biblioteca link FondiRerum vulgarium fragmenta20678UNISOB