00899nam0-22002891i-450-99000130953040332120091228125828.0000130953FED01000130953(Aleph)000130953FED0100013095320001205d1968----km-y0itay50------baengrus--------001yySpecial functions and the theory of group representationsby N. Ja. VilenkinProvidenceAmerican Mathematical Society1968.x, 613 p.24 cmTranslations of mathematical monographs22517.35Vilenkin,Naum Akovlevič<1920- >ITUNINARICAUNIMARCBK990001309530403321C-29-(2210187MA1MA1Special functions and the theory of group representations383546UNINA02976nam 2200529 450 99647204890331620230621135328.01-4744-4070-3(CKB)4100000010351542(ScCtBLL)561e7ec6-08bc-4e33-ae35-a3206982e66c(DE-B1597)616861(DE-B1597)9781474440707(MiAaPQ)EBC6145280(Au-PeEL)EBL6145280(OCoLC)1142633601(oapen)https://directory.doabooks.org/handle/20.500.12854/30362(EXLCZ)99410000001035154220200301h20202020 fy| 0engur||#---|||||txtrdacontentcrdamediacrrdacarrierKathleen Collinsthe black essai film /Geetha RamanathanEdinburgh University Press2019Edinburgh :Edinburgh University Press,[2020]1 online resource (vii, 168 pages) illustrations (colour); digital file(s)Visionaries: thinking through female filmakersPrint version: Ramanathan, Geetha. Kathleen Collins : the black essai film. Edinburgh : Edinburgh University Press, [2020] 9781474440684 1474440681 Includes bibliographical references, filmography and index.Introduction -- 1. The New York black independents -- 2. The black essai film -- 3. Ambiguities of auteurship -- 4. The magical marvelous modern -- 5. Sacred doubles -- 6. Film across drama and art -- 7. Black feminist culture and black masculinity -- Afterword -- Bibliography -- Filmography -- IndexA philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins’s films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins’s films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmakingVisionaries (Edinburgh University Press)African Americans in motion picturesMotion picturesProduction and directionPerforming ArtsFilmDirection & ProductionAfrican Americans in motion pictures.Motion picturesProduction and direction.791.430233092Ramanathan Geetha687880UkMaJRUBOOK996472048903316Kathleen Collins2047404UNISA