00857nam0-22003011i-450-9900011190804033210-12-752118-6000111908FED01000111908(Aleph)000111908FED0100011190820000920d1981----km-y0itay50------baengMercury Cadmium Tellurideedited by R.K. Willardson, Albert C. BeerNew YorkAcademic Press1981Semiconductors and Semimetals18Semiconduttori537.622Willardson,Robert Kent<1923- >52958Beer,Albert C.ITUNINARICAUNIMARCBK99000111908040332130-099.02419725FI1FI1Mercury Cadmium Telluride336790UNINAING0101386nam--2200409---450-99000337813020331620100311100024.0000337813USA01000337813(ALEPH)000337813USA0100033781320100310d1981----km-y0itay50------baitaIT||||||||001yySannioPentri e Frentani dal 6. al 1. sec. a. C.Napoli, Museo Archeologico Nazionale, dicembre 1981-gennaio 1982[mostra organizzata da] Soprintendenza Archeologica delle Province di Napoli e Caserta[ha coordinato l'edizione: Renata Cantilena][Roma]Ministero per i Beni Culturali ed Ambientali1981116 p.ill.25 cmGuida alla mostra20012001001-------2001SannioSec. 6.-1. a. C.937.7CANTILENA,RenataItalia : Soprintendenza Archeologica delle Province di Napoli e CasertaITsalbcISBD990003378130203316AA 9,91924 DSA/ISAABKDSADSA1020100310USA011406DSA1020100311USA010957DSA1020100311USA010958DSA1020100311USA011000Sannio296005UNISA03489nam 2200649Ia 450 991079027480332120230801222413.01-283-63722-70-8263-5077-1(CKB)2670000000176713(EBL)1119049(OCoLC)817819602(SSID)ssj0000694712(PQKBManifestationID)11403753(PQKBTitleCode)TC0000694712(PQKBWorkID)10669961(PQKB)10886850(MiAaPQ)EBC1119049(OCoLC)792944585(MdBmJHUP)muse17711(Au-PeEL)EBL1119049(CaPaEBR)ebr10554408(CaONFJC)MIL394968(EXLCZ)99267000000017671320111129d2012 ub 0engur|||||||nn|ntxtccrYoruba traditions and African American religious nationalism[electronic resource] /Tracey E. Hucks ; foreword by Charles H. LongAlbuquerque University of New Mexico Press20121 online resource (474 p.)Religions of the AmericasDescription based upon print version of record.0-8263-5075-5 Includes bibliographical references and index.Front Cover; Title Page; Copyright; Contents; Illustrations; Foreword; Preface; Acknowledgments; The Harlem Window: An Introduction; PART ONE: The Harlem Years; 1: "We Have as Much Right . . . to Believe that God Is a Negro": Religious Nationalism and the Rehumanization of Blackness; 2: "Here I Is Where I Has Longed to Be": Racial Agency, Urban Religion, and the Early Years of Walter Eugene King; 3: Harlem Yoruba, Orisha-Vodu, and the Making of "New Oyo"; 4: "Indigenous Literacies" and the African Library Series: A Textual Approach to History, Nation, and Tradition5: "This Religion Comes from Cuba!": Race, Religion, and Contested Geographies PART TWO: African American Yoruba Since 1970; 6: Oyotunji African Village: A Diaspora Experiment in African Nationhood; 7: "That's Alright . . . I'm a Yoruba Baptist": Negotiating Religious Plurality and "Theological Openness" in African American Yoruba Practice; 8: "Afrikan Americans in the U.S.A. Bring Something Different to Ifa": Indigenizing Yoruba Religious Cultures; Conclusion: "What We're Looking for in Africa Is Already Here": A Conclusion for the Twenty-first Century; Notes; Bibliography; Index; Back CoverAlongside the story of Nana Oseijeman Adefunmi's development as an artist, religious leader, and founder of several African-influenced religio-cultural projects, Hucks weaves historical and sociological analyses of the relationship between black cultuReligions of the Americas SeriesOrisha religionUnited StatesHistoryAfrican AmericansReligionBlack nationalismUnited StatesHistoryOyotunji African Village (S.C.)HistoryOrisha religionHistory.African AmericansReligion.Black nationalismHistory.299.6/83330973Hucks Tracey E.1965-1156856MiAaPQMiAaPQMiAaPQBOOK9910790274803321Yoruba traditions and African American religious nationalism3758035UNINA