01017nam0-22002891i-450-99000026146040332120070105105743.0000026146FED01000026146(Aleph)000026146FED0100002614620020821d1916----km-y0itay50------baitay-------001yy<<L'>>aeroplano e il suo motorecome è costruito e come funzionaAngelo Lingua, Casimiro Boellaillustrazioni di Niccolò Silvestrini, Natale Penazzoprefazione del presidente della Società aviazione TorinoTorinoLibreria Scientifico-Industriale S. Lattes1916VI,[1],106,[18] p., 14 tav. f.t.ill.32 cmMotori per aeromobiliLingua,Angelo13315Boella,Casimiro4294ITUNINARICAUNIMARCBK99000026146040332109 038-0013DINAEDINAEAeroplano e il suo motore118994UNINA04078nam 2200733Ia 450 991096492110332120200520144314.09780226043104022604310X9780226043241022604324X10.7208/9780226043241(CKB)2550000001095463(EBL)1335319(OCoLC)842264652(SSID)ssj0000871083(PQKBManifestationID)12352514(PQKBTitleCode)TC0000871083(PQKBWorkID)10821171(PQKB)10339818(StDuBDS)EDZ0000122884(MiAaPQ)EBC1335319(DE-B1597)523117(DE-B1597)9780226043241(Perlego)1834118(EXLCZ)99255000000109546320121207d2013 uy 0engur|n|---|||||txtccrAmerican allegory Lindy hop and the racial imagination /Black Hawk HancockChicago University of Chicago Press20131 online resource (280 p.)Description based upon print version of record.9780226043074 022604307X 9781299545564 1299545564 Includes bibliographical references and index.Frontmatter --CONTENTS --ACKNOWLEDGMENTS --PROLOGUE: THIS STRANGE DANCE --LEAD IN: THE COST OF INSIGHT --INTRODUCTION: THE LINDY HOP REVIVAL --1. FINDING THE POCKET --2. CAUGHT IN THE ACT OF APPROPRIATION --3. PUT A LITTLE COLOR ON THAT! --4. STEPPIN' OUT OF WHITENESS --LEAD OUT: LEARNING HOW TO MAKE LIFE SWING --CONCLUSION: TOWARD NEW TERRITORY --NOTES --REFERENCES --INDEX"Perhaps," wrote Ralph Ellison more than seventy years ago, "the zoot suit contains profound political meaning; perhaps the symmetrical frenzy of the Lindy-hop conceals clues to great potential power." As Ellison noted then, many of our most mundane cultural forms are larger and more important than they appear, taking on great significance and an unexpected depth of meaning. What he saw in the power of the Lindy Hop-the dance that Life magazine once billed as "America's True National Folk Dance"-would spread from black America to make a lasting impression on white America and offer us a truly compelling means of understanding our culture. But with what hidden implications? In American Allegory, Black Hawk Hancock offers an embedded and embodied ethnography that situates dance within a larger Chicago landscape of segregated social practices. Delving into two Chicago dance worlds, the Lindy and Steppin', Hancock uses a combination of participant-observation and interviews to bring to the surface the racial tension that surrounds white use of black cultural forms. Focusing on new forms of appropriation in an era of multiculturalism, Hancock underscores the institutionalization of racial disparities and offers wonderful insights into the intersection of race and culture in America.African AmericansIllinoisChicagoSocial conditions20th centuryDance and raceChicago (Ill.)Race relationsHistory20th centuryBlack peopleRace identityIllinoisChicagoHistory20th centuryWhite peopleRace identityIllinoisChicagoHistory20th centuryLindy (Dance)IllinoisChicagoHistory20th centuryAfrican AmericansSocial conditionsDance and race.Chicago (Ill.)Race relationsHistoryBlack peopleRace identityHistoryWhite peopleRace identityHistoryLindy (Dance)History305.896/073077311Hancock Black Hawk1971-1803617MiAaPQMiAaPQMiAaPQBOOK9910964921103321American allegory4351245UNINA03115nam 2200661 a 450 991095653260332120240514025834.01-283-28039-6978661328039890-272-8196-310.1075/slcs.34(CKB)2670000000113614(EBL)765219(OCoLC)748242125(SSID)ssj0001101443(PQKBManifestationID)11609220(PQKBTitleCode)TC0001101443(PQKBWorkID)11067324(PQKB)10464851(MiAaPQ)EBC765219(Au-PeEL)EBL765219(CaPaEBR)ebr10495918(DE-B1597)719981(DE-B1597)9789027281968(EXLCZ)99267000000011361419970224d1997 uy 0engur|n|---|||||txtrdacontentcrdamediacrrdacarrierThe semantics of aspect and modality evidence from English and biblical Hebrew /Galia Hatav1st ed.Amsterdam ;Philadelphia :John Benjamins Pub. Co.,1997.1 online resource (234 pages) illustrationsStudies in language companion series (SLCS),0165-7763 ;v. 3490-272-3037-4 Includes bibliographical references and indexes.THE SEMANTICS OF ASPECT AND MODALITY EVIDENCE FROM ENGLISH AND BIBLICAL HEBREW; Editorial page; Title page; Copyright page; Table of Contents; Preface; Chapter 1. Introduction - Temporality in Language; Chapter 2. Sequence; Chapter 3. Inclusion: The Progressive Aspect; Chapter 4. Modality; Chapter 5. The Perfect Aspect: Simultaneity, Anteriority and Backgrounding; Chapter 6. Conclusions and Suggestions for Future Research; References; Name Index; Subject Index"The semantics of aspect and modality" will be of interest both to linguists working on temporality, as a general phenomenon in language, and Hebraists investigating the semantics of the verbal forms in biblical Hebrew.Tense, aspect and modality are among the most challenging discussed areas of language. Similarly, the semantics of the verbal system in biblical Hebrew has been investigated since the Middle Ages. Galia Hatav provides extensive critical overviews of research in both areas, and suggests a new approach for analyzing the biblical Hebrew verb system, showing it to be tenselessStudies in language companion series ;34.Hebrew languageTenseHebrew languageModalityEnglish languageTenseEnglish languageModalityHebrew languageTense.Hebrew languageModality.English languageTense.English languageModality.401/.43Hatav Galia1817584MiAaPQMiAaPQMiAaPQBOOK9910956532603321The semantics of aspect and modality4375471UNINA