01331nam0 22003133i 450 SBL042073720231121125823.0IT657017 20030627d1964 ||||0itac50 baitaitz01i xxxe z01nNell'Ungheria di Bela Kun e durante l'occupazione militare romenala mia missione, maggio-novembre 1919Guido RomanelliUdineDorettistampa 1964X, 566 p., [16] carte di tav.ill.22 cm.Ungheria1919FIRSBLC135315I943.9054Storia dell'Ungheria. 1989-21Romanelli, GuidoSBLV208166070319998ITIT-0120030627IT-RM0289 IT-RM0542 IT-FR0017 Biblioteca Statale A. BaldiniRM0289 BIBLIOTECA DEL MINISTERO DEGLI AFFARI ESTERIRM0542 NBiblioteca umanistica Giorgio ApreaFR0017 SBL0420737Biblioteca umanistica Giorgio Aprea 52DES 943 Rom.Nel. 52SBA0000161935 VMB RS A 2013071820130718 04 09 52Nell'Ungheria di Bela Kun e durante l'occupazione militare romena784050UNICAS02729oam 22004694a 450 991015651820332120230621140207.010.21983/P3.0143.1.00(CKB)3710000000987259(OAPEN)1004613(OCoLC)1183377877(MdBmJHUP)muse87191(oapen)https://directory.doabooks.org/handle/20.500.12854/34105(oapen)doab34105(EXLCZ)99371000000098725920200729e20202016 uy 0engurmu#---auuuutxtrdacontentcrdamediacrrdacarrierWalk on the Beach: Things from the Sea, Volume 1Volume 1 edited by Maggie M. Williams and Karen OverbeyVolume 1 Brooklyn, NYpunctum books2016Baltimore, Maryland :Project Muse,2020©20201 online resource (60 unnumbered pages) illustrations (in colour); PDF, digital file(s)0-692-70764-6 We began with conversations about the sea. We meditated together on chance, discovery, agency, beauty, and material ecology. We talked about the delicate care of treading the world, the confluence of the personal and the professional, and the possibilities of storytelling. We thought about what happens when we encounter stuff, when we take it, change it, do something with it. When we display it, or sculpt it, or collect it. When we make something an object, and an object of looking.Then we met on the beach. We walked and talked about loss, home, agency, and liminality. We collected things: We picked up stones, feathers, seaweed. We pointed to stuff, gathered it, let it strike our fancy. Every shell nurtured a conversation among the artists, scientists, historians, poets, archivists, surfers, philosophers, and pirates who had joined the walk. We brought the sea-things back, manipulated them, and displayed them as works of art. Walk on the Beach is a souvenir of that project, a record of our bounty. It emerges from the process at the heart of art historical work: close looking. Thinking through objects, thinking with objects. Letting the things help us tell their stories.Bathing beachesPictoral worksBeachcombingPictoral worksElectronic books. Bathing beachesBeachcombingWilliams Maggie Medt1353068Overbey Karen EileenWilliams Maggie M.MdBmJHUPMdBmJHUPBOOK9910156518203321Walk on the Beach: Things from the Sea, Volume 14419413UNINA