01194nam0 22003131i 450 RML027465120231121125726.020121121d1984 ||||0itac50 baitaitz01i xxxe z01nIntroduzione alla graficamanuale pratico per studenti e per chi opera nel settore editoriale e pubblicitarioRoger Walton, Keith Gillies, Lindsey HeppellRiveduta e ampliataMilano Il Castello c1984156 p.ill.25 cmGraficaManualiFIRRMLC017598I76021Walton, RogerRMLV1768651444691Heppell, LindseyRMLV1768631444692Gillies, KeithRMLV1768641444693ITIT-0120121121IT-FR0099 Biblioteca Area IngegneristicaFR0099 RML0274651Biblioteca Area Ingegneristica 54DII 760 WAL 54VM 0000446895 VM barcode:BAIN000544. - Inventario:2234DVMA 2004052520121204 54Introduzione alla grafica3625708UNICAS03797nam 22005895 450 991103504800332120251029120421.09783032020253(electronic bk.)978303202024610.1007/978-3-032-02025-3(MiAaPQ)EBC32383153(Au-PeEL)EBL32383153(CKB)41986559600041(DE-He213)978-3-032-02025-3(EXLCZ)994198655960004120251029d2025 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierMusic, New Media and the Archive /edited by Sarah Kirby1st ed. 2025.Cham :Springer Nature Switzerland :Imprint: Palgrave Macmillan,2025.1 online resource (212 pages)Literature, Cultural and Media StudiesPrint version: Kirby, Sarah Music, New Media and the Archive Cham : Palgrave Macmillan,c2025 9783032020246 Chapter 1: Introduction: Music, New Media, and the Archive -- Chapter 2: Lines of Beauty: The Development of Graphic Notation in the Music of Percy Grainger -- Chapter 3: On Amateurs and Sound Art in France and Britain, 1950s–1960s -- Chapter 4: Recordings on Radio and Anxiety over Archives in Weimar Republic Germany -- Chapter 5: Queer Technologies in Percy Grainger’s Experimental Practice -- Chapter 6: Intermedia and the Archive in John Zorn, Henry Hills, and Sally Silver’s Little Lieutenant -- Chapter 7: Digital Technologies as Musical Sources: Documenting Live Electronics in Adriano Guarnieri’s Work -- Chapter 8: Music, Technology and Living Archives at the Grainger Museum.This book explores the representation and application of music and new media in the archive. Its case studies interrogate twentieth and twenty-first-century musical engagements with new media, ranging from notation, recording, and broadcast technologies to new analogue and electronic instruments, exploratory sound making techniques, and experimental compositional practice. The chapters each consider how these developments are reflected or preserved in documentary sources, or conversely, how archived materials relating to music and sound might be effectively combined with innovations in practice today. A timely investigation, as music archives globally are challenged by researching, conserving, and creatively engaging with the new media of their collections, this book provides opportunities to assess the impact of the archive on our understanding of music and new media through both historical and contemporary approaches. Sarah Kirby is a musicologist and a research fellow at the Grainger Museum, University of Melbourne. Her work explores Australian and British music history and music in museum contexts. She is the associate editor of Musicology Australia, and in 2023 received the Australian Academy of the Humanities’ McCredie Musicological Award. .Literature, Cultural and Media StudiesMusicHistory and criticismCommunicationInformation theoryMusicHistory of MusicMedia and Communication TheoryClassical MusicMusicHistory and criticism.Communication.Information theory.Music.History of Music.Media and Communication Theory.Classical Music.026.78Kirby Sarah1854511MiAaPQMiAaPQMiAaPQ9911035048003321Music, New Media and the Archive4451866UNINA