01550nam0 22003493i 450 PUV026805920231121125612.020160108d1995 ||||0itac50 bamulbez01i xxxe z01nAristotelica et lulliana magistro doctissimo Charles H. Lohr septuagesimum annum feliciter agenti dedicataediderunt Fernando Dominguez ... < et al.>Steenbrugis, in Abbatia S. PetriThe HagueMartinus Nijhoff international1995IX, 595 p., <13> c. di tav.ill.24 cm.Instrumenta Patristica26001BVE00031642001 Instrumenta Patristica26AristoteleFortunaFIRBVEC043101ELullo, RaimondoFIRRMLC131557I185Filosofia aristotelica.22Lohr, Charles H.CFIV059194Dominguez, FernandoPUVV157072Lohr, CharlesCFIV085319Lohr, Charles H.ITIT-0120160108IT-RM0313 IT-FR0017 BIBLIOTECA CASANATENSERM0313 Biblioteca umanistica Giorgio ApreaFR0017 NPUV0268059Biblioteca umanistica Giorgio Aprea 52MAG 3 Coll F 26 52FLS0000270025 VMB RS A 2020101520201015 07 52Aristotelica et lulliana magistro doctissimo Charles H. Lohr septuagesimum annum feliciter agenti dedicata3613433UNICAS03434oam 2200493I 450 991096127930332120251111183501.090-04-39052-910.1163/9789004390522(CKB)4970000000170191(MiAaPQ)EBC5842561(nllekb)BRILL9789004390522(EXLCZ)99497000000017019120170829d2017 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierInterruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual CultureBarbara BaertLeiden,Boston :BRILL,2019.1 online resource (332 pages)Art and Material Culture in Medieval and Renaissance Europe ;v. 1490-04-39014-6 Includes bibliographical references and index.Front Matter -- Copyright Page -- Dedication/Epigraph -- List of Illustrations -- First Publication -- Copyrights -- Introduction or Thresholds 1 -- 1 Pentecost and the Senses: A Hermeneutical Contribution to the Visual Medium and the Sensorium in Early Medieval Manuscript Tradition 11 -- 2 An Odour, a Taste, a Touch: Impossible to Describe: Noli me tangere and the Senses 36 -- 3 “Who Touched Me and My Clothes?” The Healing of the Woman with the Haemorrhage in Early Medieval Visual Culture 73 -- 4 The Johannesschüssel as Andachtsbild: The Gaze, the Medium, and the Senses 131 -- 5 “When the Daughter Came in and Danced:” Revisiting Salome’s Dance in Medieval and Early Modern Iconology 169 -- 6 Wild Is the Wind: Pathosformel and Iconology of a Quintessence 221 -- Conclusions 256 -- Back Matter -- Bibliography -- Index of Names.Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences. The six chapters include Pentecost, Noli me tangere , the woman with an issue of blood, the Johannesschüssel , the dancing Salome, and the role of the wind. The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific métier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially.Art and Material Culture in Medieval and Renaissance Europe14.Christian art and symbolismEuropeMedieval, 500-1500Christian art and symbolismEuropeModern period, 1500-Senses and sensation in artArt and societyEuropeChristian art and symbolismChristian art and symbolismSenses and sensation in art.Art and society704.9482Baert Barbara602514NL-LeKBNL-LeKBBOOK9910961279303321Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture4452991UNINA