01606nam2 22003253i 450 CFI029588620231121125450.0887063070620170710d1990 ||||0itac50 baitamulitz01i xxxe z01n˜3: œFree papersTorinoEDT[1990]XIV, 924 p.ill.24 cm.001CFI01557742001 Atti del 14. Congresso della Società Internazionale di MusicologiaTrasmissione e recezione delle forme di cultura musicaleBologna, 27 agosto - 1 settembre 1987; Ferrara-Parma, 30 agosto 1987a cura di Angelo Pompilio, Donatella Restani, Lorenzo Bianconi, F. Alberto Gallo3Société internationale de musicologieMILV0685851440620Società internazionale di musicologiaMILV068587Société internationale de musicologieInternationale Gesellschaft für MusikwissenschaftMILV068589Société internationale de musicologieInternational musicological societyMILV125554Société internationale de musicologieSociedad internacional de musicologíaSBNV049121Société internationale de musicologieITIT-0120170710IT-FR0017 Biblioteca umanistica Giorgio ApreaFR0017 NCFI0295886Biblioteca umanistica Giorgio Aprea 52SALA BRAGAC.M. 276.3 52COB0000909785 VMB RS A 2017071020170710 52Free papers3605814UNICAS02163nam 2200553 450 991078666830332120230803203420.01-908258-18-7(CKB)3710000000140892(EBL)3413013(SSID)ssj0001325803(PQKBManifestationID)11718150(PQKBTitleCode)TC0001325803(PQKBWorkID)11516603(PQKB)10999673(MiAaPQ)EBC3413013(Au-PeEL)EBL3413013(CaPaEBR)ebr10887195(OCoLC)884588844(EXLCZ)99371000000014089220140711h20142014 uy 0engur|n|---|||||txtccrBackstage economies labour and masculinities in contemporary European dance /Dunja NjaradiChester, [England] :University of Chester Press,2014.©20141 online resource (232 p.)Description based upon print version of record.1-908258-14-4 Includes bibliographical references and index.""Backstage Economies front cover""; ""Title pages""; ""Copyright page""; ""Contents""; ""Acknowledgements""; ""List of Illustrations""; ""Chapter One: What is Dance? An Introduction to 'Contemporary Dance'""; ""Chapter Two: Shattered and Sown Europe: Theoretical Questions and Methodological Approaches to Study Dance Under Globalization""; ""Chapter Three: Gender and Masculinities in the World of Contemporary Professional Dance""; ""Colour Plates""; ""Chapter Four: Dance Performance as Labour and Production""; ""Chapter Five: Conclusion""; ""Bibliography""; ""Index""; ""Back cover""DanceEuropeModern danceEuropeModern danceDanceModern danceModern dance.793.31Njaradi Dunja1506124MiAaPQMiAaPQMiAaPQBOOK9910786668303321Backstage economies3743854UNINA