03063nam 2200625Ia 450 991045354270332120200520144314.01-78138-775-31-84631-361-9(CKB)1000000000541191(EBL)380749(OCoLC)476210019(SSID)ssj0000207186(PQKBManifestationID)11203426(PQKBTitleCode)TC0000207186(PQKBWorkID)10236525(PQKB)10623576(StDuBDS)EDZ0000127559(MiAaPQ)EBC380749(UkCbUP)CR9781781387757(Au-PeEL)EBL380749(CaPaEBR)ebr10369614(EXLCZ)99100000000054119120000508d2000 uy 0engur|n|---|||||txtccrThe musical work[electronic resource] reality or invention? /edited by Michael TalbotLiverpool Liverpool University Press20001 online resource (268 p.)Liverpool Music Symposium (Series) ;1Description based upon print version of record.0-85323-825-1 Includes bibliographical references and index.Title Page; Contents; Notes on Contributors; Introduction; 1: Some Thoughts on the Work in Popular Music; 2: Intertextuality and Hypertextuality in Recorded Popular Music; 3: Work-in(g)-Practice: Configurations of the Popular Music Intertext; 4: Work and Recordings:The Impact of Commercialisation and Digitalisation; 5: The Practice of Early-Nineteenth-Century Pianism; 6: Looking Back at Ourselves: The Problem with the Musical Work-Concept; 7: 'The Work':An Evaluative Charge; 8: The Work-Concept and Composer-Centredness9: The Musical Artwork and its Materials in the Music and Aesthetics of Busoni10: Re-composing Schubert; 11: 'On the Problems of Dating' or 'Looking Backward and Forward with Strohm'; Index of Musical Compositions and Collections; Index of Personal NamesLike literature and art, music has 'works'. But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear.Liverpool Music Symposium (Series) ;1.MusicPhilosophy and aestheticsMusicHistory and criticismElectronic books.MusicPhilosophy and aesthetics.MusicHistory and criticism.780.1781.1/7Talbot Mike(Michael)976131MiAaPQMiAaPQMiAaPQBOOK9910453542703321The musical work2234394UNINA01244nam0 22002773i 450 VAN026942120240208121307.40788-495-0861-120240110d2004 |0itac50 baitaIT|||| |||||ˆI ‰patti di inesigibilità del creditoGiuseppe RecintoNapoliEdizioni scientifiche italiane2004263 p.24 cm001VAN00674142001 Pubblicazioni della Facoltà di economia, Università degli studi del Sannio, Benevento. Sez. giuridico-sociale210 NapoliEdizioni scientifiche italiane.34NapoliVANL000005RecintoGiuseppeVANV082908437920ESI <editore>VANV108662650ITSOL20240329RICA/sebina/repository/catalogazione/documenti/INDICE_Recinto_2004.pdfINDICE_Recinto_2004.pdfBIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZAIT-CE0105VAN00VAN0269421BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS VI.Eh.121 00 269421 20240110 BuonoPatti di inesigibilità del credito750271UNICAMPANIA