03615nam 22006252 450 991081148570332120151005020623.01-107-46182-01-139-89346-71-107-45963-X1-107-47250-41-107-32353-31-107-46535-41-107-46890-6(CKB)3710000000057227(EBL)1543583(OCoLC)862077593(SSID)ssj0001040873(PQKBManifestationID)12394056(PQKBTitleCode)TC0001040873(PQKBWorkID)11008739(PQKB)11146973(UkCbUP)CR9781107323537(MiAaPQ)EBC1543583(Au-PeEL)EBL1543583(CaPaEBR)ebr10795344(EXLCZ)99371000000005722720130117d2013|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierA Jacobean company and its playhouse the Queen's Servants at The Red Bull Theatre, (c. 1605-1619) /Eva Griffith[electronic resource]Cambridge :Cambridge University Press,2013.1 online resource (xiii, 291 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).1-107-61504-6 1-107-04188-0 Includes bibliographical references and index.Introduction: The Red Bull Theatre, St. John Street -- Elizabethan contexts for a Jacobean playhouse: Clerkenwell, East Anglia, The Strand and the liberty of the Clink (1586-1603) -- The Earl of Worcester, the Essex Circle, the Queen's servants and their playhouses (1589-1607) -- Who were the Queen's servants? What was The Red Bull like? -- The court and its women: Queen Anna, her circle, and some women-centred plays -- Entities and splinter groups: the Queen's servants' companies at the courts, in England and in Europe -- The company: 1605-1612 -- The company: 1612-1619 -- Conclusion: St. John's Day at night.Eva Griffith's book fills a major gap concerning the world of Shakespearean drama. It tells the previously untold story of the Servants of Queen Anna of Denmark, a group of players parallel to Shakespeare's King's Men, and their London playhouse, The Red Bull. Built in vibrant Clerkenwell, The Red Bull lay within the northern suburbs of Jacobean London, with prostitution to the west and the Revels Office to the east. Griffith sets the playhouse in the historical context of the Seckford and Bedingfeld families and their connections to the site. Utilising a wealth of primary evidence including maps, plans and archival texts, she analyses the court patronage of figures such as Sir Robert Sidney, Queen Anna's chamberlain, alongside the company's members, function and repertoire. Plays performed included those by Webster, Dekker and Heywood - entertainments characterised by spectacle, battle sequence and courtroom drama, alongside London humour and song.A Jacobean Company & its PlayhouseTheatersEnglandLondonHistory17th centuryTheatrical companiesEnglandLondonHistory17th centuryTheatersHistoryTheatrical companiesHistory725/.82209421Griffith Eva762372UkCbUPUkCbUPBOOK9910811485703321A Jacobean company and its playhouse4076717UNINA01421nam1 22003253i 450 VAN026803220231205105121.72020231128f |0itac50 baengUS|||| |||||Lectures in Pattern TheoryUlf GrenanderNew YorkSpringer3 volumiill.24 cm001VAN02680332001 ˆVol. 1: ‰Pattern SynthesisUlf Grenander210 New YorkSpringer1976215 viii, 513 p.ill.24 cm1001VAN02681862001 ˆVol. 2: ‰Pattern AnalysisUlf Grenander210 New YorkSpringer1978215 viii, 616 p.ill.24 cm2001VAN02684212001 ˆVol. 3: ‰Regular StructuresUlf Grenander210 New YorkSpringer1981215 viii, 570 p.ill.24 cm3USNew YorkVANL000011GrenanderUlfVANV030664103221SpringereditoreVANV108073Springer ViewegSpringer <editore>VANV228239Springer TelosSpringer <editore>VANV108074Springer FachmedienSpringer <editore>VANV108075Springer SpektrumSpringer <editore>VANV226738Springer, JuliusSpringer <editore>VANV230226ITSOL20240614RICANVAN0268032Lectures in pattern theory1205192UNICAMPANIA