01171nam0 22002773i 450 VAN010630220160906122038.9220160906d1968 |0itac50 baitaIT|||| |||||Indagini sulla struttura urbanasaggi di Melvin M. Webber ... [et al.]traduzione e prefazione di Paolo CeccarelliMilanoIl saggiatore1968267 p.ill.21 cm.001VAN00451242001 Struttura e forma urbana210 MilanoIl saggiatore.3UrbanisticaVANC032018ARMilanoVANL000284CeccarelliPaoloVANV012712WebberMelvin M.VANV082458Il saggiatore <editore>VANV108126650ITSOL20240223RICABIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALEIT-CE0107VAN01VAN0106302BIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE01PREST FDEBLA70 01 52465 20160906 Explorations into urban structure55227UNICAMPANIA03387nam 22005655 450 991030002210332120231109072354.09783319706566331970656X10.1007/978-3-319-70656-6(CKB)4100000001795191(DE-He213)978-3-319-70656-6(MiAaPQ)EBC5255551(Perlego)3493642(EXLCZ)99410000000179519120180130d2018 u| 0engurnn|008mamaatxtrdacontentcrdamediacrrdacarrierCarnival and Power Play and Politics in a Crown Colony /by Vicki Ann Cremona1st ed. 2018.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2018.1 online resource (XIX, 304 p. 16 illus., 3 illus. in color.) Transnational Theatre Histories,2946-59079783319706559 3319706551 Includes bibliographical references and index.1. Perceptions of Colony and Carnival -- 2. Power and its Historical Framework -- 3. Social Difference and Street Dynamics -- 4. Fancy Dress, Rank and Dignity: Power and Play in Carnival Balls -- 5. 'The sweet satires that prick where it is needed....': The Caricature of Power -- 6. Raising the Levels of Street Carnivals - Competitions and Prizes -- 7. Carnival or Carnivals? Political Wrangles Between State, Church and Party -- 8. Politics vs Religion and State - Beyond Carnival and the Carnivalesque -- 9. Carnival as a Transnational Cultural Phenomenon.This book shows how Carnival under British colonial rule became a locus of resistance as well as an exercise and affirmation of power. Carnival is both a space of theatricality and a site of politics, where the playful, participatory aspects are appropriated by countervailing forces seeking to influence, control, channel or redirect power. Focusing specifically on the Maltese islands, a tiny European archipelago situated at the heart of the Mediterranean, this work links the contrast between play and power to other Carnival realities across the world. It examines the question of power and identity in relation to different social classes and environments of Carnival play, from streets to ballrooms. It looks at satire and censorship, unbridled gaiety and controlled celebration. It describes the ways Carnival was appropriated as a power channel both by the British and their Maltese subjects, and ultimately how it was manipulated in the struggle for Malta's independence.Transnational Theatre Histories,2946-5907TheaterHistoryPerforming artsTheaterTheatre HistoryTheatre and Performance ArtsGlobal and International Theatre and PerformanceTheaterHistory.Performing arts.Theater.Theatre History.Theatre and Performance Arts.Global and International Theatre and Performance.792.09Cremona Vicki Annauthttp://id.loc.gov/vocabulary/relators/aut951305BOOK9910300022103321Carnival and Power2260869UNINA