01061nam1 22002533i 450 VAN006475720180724094044.23420080529f |0itac50 baitaIT|||| |||||Piero della FrancescaEugenio BattistiNuova ed. riv. e aggiornata con il coordinamento scientifico di Marisa Dalai EmilianiMilanoElectac19922 v. (p. 687 compless.)ill.29 cm. - In custodia.001VAN00647582001 <<Piero della Francesca>> 1Eugenio Battisti210 MilanoElectac1992215 345 p.ill.29 cm.1001VAN00647592001 <<Piero della Francesca>> 2Eugenio Battisti210 MilanoElectac1992215 P. 349-687ill.29 cm.2MilanoVANL000284BattistiEugenio1924-1989VANV02251734360Electa <editore>VANV113606650ITSOL20230915RICAVAN0064757Piero della Francesca235663UNICAMPANIA02874nam 2200661Ia 450 991095845580332120200520144314.09781283957618128395761297817804299461780429940(CKB)2670000000209863(EBL)915157(OCoLC)793996017(SSID)ssj0000660946(PQKBManifestationID)12247189(PQKBTitleCode)TC0000660946(PQKBWorkID)10708475(PQKB)11651875(MiAaPQ)EBC915157(Au-PeEL)EBL915157(CaPaEBR)ebr10622105(CaONFJC)MIL427011(PPN)197279511(FR-PaCSA)88835889(FRCYB88835889)88835889(EXLCZ)99267000000020986320091208d2009 uy 0engur|n|---|||||txtccrArt of the Devil /Arturo Graf1st ed.New York Parkstone Internationalc20091 online resource (256 p.)Temporis collectionTranslation of Il diavolo. Originally published in Italian in 1889. With new illustrations.9781844846467 1844846466 Includes bibliographical references and index.CONTENTS; Introduction; The Devil; The Person of the Devil; The Number, Abodes, Qualities, Orders, Hierarchy, Knowledge and Power of Devils; Acts of the Devil; The Devil as Tempter; The Loves and the Offspring of the Devil; Pacts with the Devil; Magic; The History of Magic and Magical Practices; Magicians and Witches; The Inquisition: The Persecution of Magic; Hell; More about Hell; Defeats of the Devil; Conclusion; Notes; Bibliography; Index"The Devil holds the strings which move us!" (Charles Baudelaire, The Flowers of Evil, 1857.)Satan, Beelzebub, Lucifer... the Devil has many names and faces, all of which have always served artists as a source of inspiration. Often commissioned by religious leaders as images of fear or veneration, depending on the society, representations of the underworld served to instruct believers and lead them along the path of righteousness. For other artists, such as Hieronymus Bosch, they provided a means of denouncing the moral decrepitude of one's contemporaries. In the same way, literature dealing witTemporisDevilChristianityDevil in artDevilChristianity.Devil in art.704.9487Graf Arturo1848-1913.90702MiAaPQMiAaPQMiAaPQBOOK9910958455803321Art of the Devil4338601UNINA