01397nam 2200337Ia 450 99638621890331620221108071501.0(CKB)4940000000078072(EEBO)2248577874(OCoLC)12611090(EXLCZ)99494000000007807219850928d1649 uy |engurbn||||a|bb|A discovrse of the orientall tongves[electronic resource] viz. [brace ] Ebrew, Samaritan, Calde, Syriac, Arabic, and Ethiopic : together with A genrall grammer for the said tongues /by Christian RavisLondon Printed by W. Wilson for T. Iackson, and are to be sold by him ..1649[20], 243 p"A generall grammer for the Ebrew, Samaritan... and Ethiopic tongue" (p. [95]-243) has special t.p. and 1648 imprint date.Two folded leaves of tables bound between p.[8-9] and p. [95-96]Reproduction of original in the University of Illinois (Urbana-Champaign Campus). Library.eebo-0167Semitic languagesGrammar, ComparativeSemitic languagesGrammar, Comparative.Raue Christian1613-1677.1005592EAHEAHWaOLNBOOK996386218903316A discovrse of the orientall tongves2382947UNISA01639nam0 2200289 i 450 VAN006315420101018120000.020080303d2007 |0itac50 baitaIT|||| |||||Cézanne e la sua eredità nel NovecentoCamille Pissarro, Aristide Maillol, Piet Mondrian, Raymond Duchamp-Villon, Ardengo Soffici, Andrè Derain, Carlo Carrà, Mikhail Larionov, Pablo Picasso, Georges Braque, Jean Metzinger, Amedeo Modigliani, Roger de La Fresnaye, Giorgio Morandi, Ottone Rosai, Arshile GorkyGiovanna Uzzanicatalogo a cura di Ilaria Cicali e Giovanna UzzaniEd. speciale per Il sole 24 oreMilano : Il sole 24 ore ; Firenze : E-ducation.it2007323 p.ill.29 cm. - In custodia. - Distribuito con: Il sole 24 ore, dicembre 2007.001VAN00630642001 ˆI ‰grandi maestri dell'artel'artista e il suo tempo210 Milano : Il sole 24 Ore ; Firenze : E-ducation.it2007-.18Cézanne, PaulVANC011398FIMilanoVANL000284UzzaniGiovannaVANV05018938756CicaliIlariaVANV050190Il sole 24 ore <editore>VANV108714650ITSOL20230728RICABIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALIIT-CE0103VAN07VAN0063154BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI07CONS Pb Cézanne 2324 07 18110 20080303 Cézanne e la sua eredità nel Novecento250499UNICAMPANIA02452nam 2200565 450 991077755180332120200520144314.00-8131-5268-20-8131-5928-80-8131-7093-1(CKB)1000000000460343(EBL)1915173(SSID)ssj0000147743(PQKBManifestationID)12003081(PQKBTitleCode)TC0000147743(PQKBWorkID)10017082(PQKB)10098847(OCoLC)65183813(MdBmJHUP)muse44052(Au-PeEL)EBL1915173(CaPaEBR)ebr11007435(CaONFJC)MIL691003(OCoLC)900344540(MiAaPQ)EBC1915173(EXLCZ)99100000000046034320150127h20012001 uy 0engur|n|---|||||txtccrEngulfed the death of Paramount Pictures and the birth of corporate Hollywood /Bernard F. DickLexington, Kentucky :The University Press of Kentucky,2001.©20011 online resource (306 p.)Includes index.1-322-59721-9 0-8131-2202-3 Includes bibliographical references and index.Cover; Half-title; Title; Copyright; Contents; Preface; 1 Mountain Glory; 2 Mountain Gloom; 3 Barbarians at the Spanish Gate; 4 Charlie's Boys; 5 The Italian Connection; 6 The Diller Days; 7 Goodbye, Charlie; 8 Sumner at the Summit; Epilogue; End Titles; Notes; IndexFrom Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity. He then traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramo384/.8/06579494Dick Bernard F.444202MiAaPQMiAaPQMiAaPQBOOK9910777551803321Engulfed3824275UNINA