01144nam0 22002771i 450 VAN005374420100713120000.020060929d1966 |0itac50 baitaIT|||| |||||Matteo Giovannetti e la cultura mediterraneaEnrico CastelnuovoMilanoFabbri1966[4] c. di tav., XVI p. di tav.ill.36 cm.001VAN00479222001 ˆI ‰maestri del colore210 MilanoFabbri.216GIOVANNETTI, MATTEOVANC018963FIMilanoVANL000284GiovannettiMatteoVANV042454400845CastelnuovoEnrico1929-2014VANV011516Fabbri, FabrizioVANV108057650ITSOL20230616RICABIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALIIT-CE0103VAN07VAN0053744BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI07CONS Pc 1/216 07 59086 20060929 Matteo Giovannetti e la cultura mediterranea609059UNICAMPANIA03077oam 22006014a 450 99630922780331620240424230443.090-485-3104-710.1515/9789048531042(CKB)4100000007135149(MiAaPQ)EBC5581147(OCoLC)1178720812(MdBmJHUP)muse76649(WaSeSS)IndRDA00124588(DE-B1597)514541(OCoLC)1066190641(DE-B1597)9789048531042(Au-PeEL)EBL5581147(oapen)https://directory.doabooks.org/handle/20.500.12854/39493(EXLCZ)99410000000713514920200724e20202018 uy 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierThe Greatest Films Never SeenThe Film Archive and the Copyright Smokescreen /Claudy Op den KampAmsterdamAmsterdam University Press2017Baltimore, Maryland :Project Muse,2020©20201 online resource (185 pages) illustrationsFraming film94-6298-139-6 Includes bibliographical references, filmography, and index.The Orphan in a Handbag : an introduction to the film archive and intellectual property -- Terra Incognita. The Nederlands Filmmuseum/EYE Film Institute Netherlands -- A Swiss Bank : recategorization I : the embargoed film -- A Handbag : recategorization II : the orphan film -- A Vehicle of Power : recategorization III : the public domain film (or, what orphan films are not) -- A Birthplace : the begotten film -- The Potential for History-Making : of accidents and activation -- Conclusion : the Brighton line.Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.Framing film (Amsterdam, Netherlands)Film archivesOrphan works (Copyright)CopyrightMotion picturesElectronic books. Film Archive, Intellectual Property, Orphan Works, Public Domain, Film Historiography.Film archives.Orphan works (Copyright)CopyrightMotion pictures.026.79143Op den Kamp Claudy1974-1025926MdBmJHUPMdBmJHUPBOOK996309227803316The Greatest Films Never Seen2440097UNISA