01492nam0 22003251i 450 VAN005290620110222115722.77988-317-7490-5IT2001 536720060921d2000 |0itac50 baitaIT|||| |||||Aemilia: la cultura romana in Emilia Romagna dal 3. secolo a. C. all'età costantinianaa cura di Mirella Marini Calvani, con la collaborazione di Renata Curina ed Enzo LippolisVenezia : Marsilio[2000]XXXII607 p. : ill. ; 28 cmCatalogo della Mostra tenuta a Bologna nel 2000. - In testa al front.: Ministero per i beni e le attività culturali, Soprintendenza per i beni archeologici dell'Emilia-Romagna.VAN0079482AemiliaVeneziaVANL000080937.221CurinaRenataVANV037256LippolisEnzoVANV022739Marini CalvaniMirellaVANV041710Marsilio <editore>VANV108180650ITSOL20240503RICABIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALIIT-CE0103VAN07VAN0052906BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI07CONS Cb Bologna 2000 07DP 2707 20110421 Aemilia: la cultura romana in Emilia Romagna dal 3. secolo a. C. all'età costantiniana1427266UNICAMPANIA02867nam 2200325z- 450 9910583580303321202207151-4214-2830-X(CKB)5460000000023626(oapen)https://directory.doabooks.org/handle/20.500.12854/88781(oapen)doab88781(EXLCZ)99546000000002362620202207d2011 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierEntertaining Crisis in the Atlantic Imperium, 1770-1790Johns Hopkins University Press20111 online resource (440 p.)Honorable Mention, 2012 Joe A. Callaway Prize in Drama and TheaterFirst Place, Large Not-for-Profit Publisher, Typographic Cover, 2011 Washington Book Publishers Design and Effectiveness AwardsLess than twenty years after asserting global dominance in the Seven Years' War, Britain suffered a devastating defeat when it lost the American colonies. Daniel O'Quinn explores how the theaters and the newspapers worked in concert to mediate the events of the American war for British audiences and how these convergent media attempted to articulate a post-American future for British imperial society.Building on the methodological innovations of his 2005 publication Staging Governance: Theatrical Imperialism in London, 1770-1800, O'Quinn demonstrates how the reconstitution of British imperial subjectivities involved an almost nightly engagement with a rich entertainment culture that necessarily incorporated information circulated in the daily press. Each chapter investigates different moments in the American crisis through the analysis of scenes of social and theatrical performance and through careful readings of works by figures such as Richard Brinsley Sheridan, William Cowper, Hannah More, Arthur Murphy, Hannah Cowley, George Colman, and Georg Friedrich Handel. Through a close engagement with this diverse entertainment archive, O'Quinn traces the hollowing out of elite British masculinity during the 1770s and examines the resulting strategies for reconfiguring ideas of gender, sexuality, and sociability that would stabilize national and imperial relations in the 1780s. Together, O'Quinn's two books offer a dramatic account of the global shifts in British imperial culture that will be of interest to scholars in theater and performance studies, eighteenth-century studies, Romanticism, and trans-Atlantic studies.Literature: history and criticismbicsscLiterature: history & criticismLiterature: history and criticismO'Quinn Danielauth1328820BOOK9910583580303321Entertaining Crisis in the Atlantic Imperium, 1770-17904422378UNINA