03421nam 22005775 450 991030002400332120220120235816.09783319703688331970368410.1007/978-3-319-70368-8(CKB)3840000000347717(MiAaPQ)EBC5287455(DE-He213)978-3-319-70368-8(OCoLC)1023425873(Perlego)3494950(EXLCZ)99384000000034771720180209d2018 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierLive and Recorded Music Experience in the Digital Millennium /by Yngvar Kjus1st ed. 2018.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2018.1 online resource (184 pages) illustrationsPop Music, Culture and Identity,2634-66219783319703671 3319703676 Includes bibliographical references and index.1. Introduction -- 2. Media Governance -- 3. Changes in Korean Society since 1980 -- 4. Fluctuating Media in the 1980s -- 5. Media Liberation following Democratization in 1987 -- 6. Changes in Media Industry's Value and Governance in the 1990s -- 7. Introduction of New Media: Information Society and Media -- 8. 2000 Broadcasting Act and 2005 Newspaper Act: Balancing Public Interest and Market -- 9. Age of Media Convergence -- 10. Establishment of the Korea Communications Commission in 2008 -- 11. Revision of the Media Laws and Cross-Ownership of Newspaper and Broadcasting in 2009 -- 12. From Media Governance to ICT Governance -- 13. Internet Governance -- 14. Changes in Media Governance 1980-2017.This book uncovers how music experience - live and recorded - is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.Pop Music, Culture and Identity,2634-6621MusicPopular cultureDigital mediaMusicPopular CultureDigital and New MediaMusic.Popular culture.Digital media.Music.Popular Culture.Digital and New Media.780.06Kjus Yngvar1976-authttp://id.loc.gov/vocabulary/relators/aut855638BOOK9910300024003321Live and recorded1910322UNINA01563nam0 22003613i 450 VAN0029367520250529101533.814N978981978082220250529d2024 |0itac50 baengSG|||| |||||i e bcrTheory and Method of Automatically Formed Roadway in Underground MiningQi Wang, Bei Jiang, Zhenhua JiangSingaporeSpringer2024IX, 155 p.ill.24 cmSGSingaporeVANL000061551Geologia, idrogeologia, meteorologia22627Ingegneria idraulica22WangQiVANV195820646598JiangBeiVANV1958211075553JiangZhenhuaVANV2495721767062Springer <editore>VANV108073650ITSOL20250530RICAhttps://link.springer.com/openurl?genre=book&isbn=978-981-97-8082-2E-book - Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o ShibbolethBIBLIOTECA DEL DIPARTIMENTO DI SCIENZE E TECNOLOGIE AMBIENTALI BIOLOGICHE E FARMACEUTICHEIT-CE0101VAN17NVAN00293675BIBLIOTECA DEL DIPARTIMENTO DI SCIENZE E TECNOLOGIE AMBIENTALI BIOLOGICHE E FARMACEUTICHE17CONS e-book 2395 17BIB2395/465 465 20250529 Theory and Method of Automatically Formed Roadway in Underground Mining4211912UNICAMPANIA