00771nam0-22002651i-450 99000492976040332120230524122049.0000492976FED01000492976(Aleph)000492976FED0119990530g19289999km-y0itay50------baspaUSy-------001yyHistoria de la literatura españolapor M. Romera-NavarroBarcelona [etc.]D.C. Heathy Compaòiac1928XVIII, 701 p.23 cmRomera-Navarro,Miguel199735ITUNINARICAUNIMARCBK990004929760403321PA 221Fil. Mod. 1273FLFBCFLFBCHistoria de la literatura española523773UNINA03463oam 2200865I 450 991014863590332120200731054327.09780300249804030024980210.12987/9780300220438(CKB)3710000000918300(MiAaPQ)EBC4728136(DE-B1597)540713(DE-B1597)9780300220438(OCoLC)961457407(OCoLC)ocn961457407(EXLCZ)99371000000091830020161029h20162016 uy 0engurcnu||||||||rdacontentrdamediardacarrierThe concrete body Yvonne Rainer, Carolee Schneemann, Vito Acconci /Elise ArchiasNew Haven :Yale University Press,[2016]©20161 online resource (236 pages) illustrations9780300217971 0300217978 9780300220438 030022043X Includes bibliographical references and index.When the Body Is the Material -- 1. Hurray for People: Yvonne Rainer -- 2. Concretions : Carolee Schneemann -- 3. Reasons to Move : Vito Acconci -- Coda : Forming the Senses."...Examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body. Finding parallels between the tactility of a drip of paint and a body's reflexive movements, Elise Archias argues convincingly that Yvonne Rainer (b. 1934), Carolee Schneemann (b. 1939), and Vito Acconci (b. 1940) forged a dialogue between modernist aesthetics and their own artistic community's embrace of all things ordinary through work that explored the abstraction born of the body's materiality. Rainer's task-like dances, Schneemann's sensuous appropriations of popular entertainment, and Acconci's behaviorist-inflected tests highlight the body's unintended movements as vital reminders of embodied struggle amid the constraining structures in contemporary culture. Archias also draws compelling comparisons between embodiment as performed in the work of these three artists and in the sit-ins and other nonviolent protests of the era"--Publisher's description.Arts, AmericanNew York (State)New YorkHistory20th centuryPerformance artNew York (State)New YorkHistoryPerformance artistsUnited States20th centuryPerformance artfast(OCoLC)fst01057852United StatesfastArts, AmericanPerformance artPerformance artistsPerformance art.700.904LH 70410rvkArchias Elise1220783Yale University Press,EBLCPEBLCPN$TIDEBKEBLCPOCLCQN$TMERUCCCOCSAILTEFODOCLCFUABOCLCQOTZOCLCQWRMOCLCQINTYDXOCLCQIDBOCLCQYUSBOOK9910148635903321The concrete body2827795UNINA01224nam2 22002773i 450 VAN0012115520240806100808.129978-01-940018-2-320190430d2013 |0itac50 baengGB|||| |||||Teacherʼs handbook Advanced/C1Edward de Chazal & Julie MooreOxfordOxford University2013135 p.30 cm1 CD-audio e 1 DVD.001VAN000996672001 Oxford EAPa course in English for academic purposes210 OxfordOxford University215 volumiill.28 cmGBOxfordVANL000020de ChazalEdwardVANV078176730173MooreJulieVANV093101763762Oxford University <editore>VANV107944650ITSOL20250124RICAVAN00121155BIBLIOTECA DEL DIPARTIMENTO DI INGEGNERIA05PREST P 100 05UBI715 20190430 BIBLIOTECA DEL DIPARTIMENTO DI INGEGNERIA05PREST P 101 05UBI716 20190430 Teacherʼs handbook1549959UNICAMPANIA