04121nam 2200649 a 450 991046312860332120200520144314.00-8135-6111-610.36019/9780813561110(CKB)2670000000355199(EBL)1184490(OCoLC)842883496(SSID)ssj0000873107(PQKBManifestationID)12369378(PQKBTitleCode)TC0000873107(PQKBWorkID)10865589(PQKB)11343026(MiAaPQ)EBC1184490(MdBmJHUP)muse27707(DE-B1597)529380(DE-B1597)9780813561110(Au-PeEL)EBL1184490(CaPaEBR)ebr10698341(CaONFJC)MIL486972(EXLCZ)99267000000035519920120827d2013 uy 0engur|n|---|||||txtccrOn-demand culture[electronic resource] digital delivery and the future of movies /Chuck TryonNew Brunswick, N.J. Rutgers University Press20131 online resource (225 p.)Description based upon print version of record.0-8135-6110-8 Includes bibliographical references and index.Introduction -- Fast, cheap, and hypermobile: digital distribution and the future of cinema. Coming soon to a computer near you: digital delivery and ubiquitous entertainment -- Restricting and resistant mobilities: negotiating digital delivery -- "Make any room your tv room": digital delivery and media mobility -- Breaking through the screen: 3D, avatar, and the future of moviegoing -- Redbox vs. red envelope, or closing the window on the bricks and mortar video store -- The Twitter effect: social media, and digital delivery -- Indie 2.0: digital delivery, crowdsourcing, and social media -- Reinventing festivals: curation, distribution, and the creation of global cinephilia -- Conclusion.The movie industry is changing rapidly, due in part to the adoption of digital technologies. Distributors now send films to theaters electronically. Consumers can purchase or rent movies instantly online and then watch them on their high-definition televisions, their laptops, or even their cell phones. Meanwhile, social media technologies allow independent filmmakers to raise money and sell their movies directly to the public. All of these changes contribute to an "on-demand culture," a shift that is radically altering film culture and contributing to a much more personalized viewing experience. Chuck Tryon offers a compelling introduction to a world in which movies have become digital files. He navigates the complexities of digital delivery to show how new modes of access-online streaming services like YouTube or Netflix, digital downloads at iTunes, the popular Redbox DVD kiosks in grocery stores, and movie theaters offering digital projection of such 3-D movies as Avatar-are redefining how audiences obtain and consume motion picture entertainment. Tryon also tracks the reinvention of independent movies and film festivals by enterprising artists who have built their own fundraising and distribution models online. Unique in its focus on the effects of digital technologies on movie distribution, On-Demand Culture offers a corrective to address the rapid changes in the film industry now that movies are available at the click of a button.Motion picturesDigital mediaInfluenceInteractive multimediaMotion picturesDistributionSocial aspectsElectronic books.Motion pictures.Digital mediaInfluence.Interactive multimedia.Motion picturesDistributionSocial aspects.384/.8Tryon Chuck1970-1044271MiAaPQMiAaPQMiAaPQBOOK9910463128603321On-demand culture2469812UNINA01155nam0 22003011i 450 VAN0001113820240806100247.26588-14-06447-4IT98 154120030102d1997 |0itac50 baitaIT|||| |||||ˆIl ‰diritto del mercato mobiliaresoggetti, attività, strumenti, controllia cura di Carla Rabitti BedogniMilanoGiuffrè[1997]IX, 485 p.24 cm.Intermediari finanziariLegislazioneVANC004334FIMercati finanziariLegislazioneVANC002611FIMilanoVANL000284346.450921Rabitti BedogniCarlaVANV001551Giuffrè <editore>VANV109181650ITSOL20251114RICABIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZAIT-CE0105VAN00VAN00011138BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA00CONS VI.Ec.21 00 17674 20030102 DIRITTO del mercato mobiliare660300UNICAMPANIA